Olympus E-3 Review

Four years is a very long time in the digital camera market, and four years in the digital SLR market is virtually a lifetime. In the four-odd years between the launch of the Olympus E-1 - the camera that heralded the first all-new SLR system for over a decade - and its successor the E-3, the DSLR landscape has changed beyond recognition, with prices dropping and capabilities soaring. The world moved on whilst the Olympus professional system stood still, looking more and more irrelevant and less and less like a serious contender to the long-standing Canon/Nikon duopoly in the pro market.

Of course the Olympus range itself wasn't standing still, and after a few false starts (mainly caused by the almost suicidal tendency for Olympus industrial designers to produce cameras that didn't look like cameras) and some flashes of inspired innovation (bringing live view, kicking and screaming, to the SLR market, for example) the E-series started to be taken a lot more seriously.

But whilst Olympus fans' spirits were buoyed by the introduction of well-reviewed and popular models such as the E-500 and the current E-410/E-510 duo, the lack of a high end model to replace the ageing E-1 - or anything in the E-series range to compete with high end 'semi pro' models like the Nikon D200 - was the cause of great concern. It's all very well having superb glass (and few would disagree that Olympus produces some of the best lenses on the market today) if there isn't a similarly well-specified camera to put behind it.

And so the E-3, the long-awaited successor to the E-1, has finally arrived. To say that it carries a heavy weight of expectation on its broad shoulders is putting it lightly; this is the camera that will decide for once and for all whether Olympus has what it takes to crack the Nikon/Canon stronghold, or is to remain forever a niche player in the professional market.

Simon Joinson

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