Photography: Monochrome With Photoshop
by David Bigwood
As a freelance I have to capture the images that magazines want and 99 plus% want everything in glorious colour. So, as I no longer have a darkroom, the only way for me to satisfy my craving for black and white is to convert suitable colour images to monochrome using my trusty computer.
Grayscale Mode
The simplest and quickest way was how I started and that was just to change the mode in Photoshop from RGB to Grayscale. I opened the picture, went to 'Image' in the Menu Bar and selected 'Mode' then selected 'Grayscale' from the drop down menu. This brought up a dialogue box asking if I wanted to discard all colour information. I clicked 'OK' and the job was done. I was then able to adjust the monochrome image to my liking. It couldn't get any easier. 'Easy-peasey,' as Jamie Oliver would say.
So, with the image open, go to 'Image>Mode>Grayscale' then 'Discard color information'.
In Photoshop Elements the process is the same.
Desaturate Method
As easy is the use of the 'Desaturate' command. With the original colour picture open, go to 'Image' select 'Adjustments' and 'Desaturate' from the drop down menu. The result is very similar to the Grayscale method and can also be achieved by going to 'Hue/Saturate' and reducing the 'Saturation' slider to -100.
'Image>Adjustments>Desaturate'
In Photoshop Elements, go to 'Enhance>Adjust color>Remove color'.
Channel Mixer Method
Now we come to a slightly more complicated method but one that gives a higher control than the previous two. Once again, with the original colour picture open, go to 'Image' and select 'Adjustments' then select 'Channel Mixer' from the drop down menu. This will bring up the Channel Mixer dialogue box with sliders for the Red, Green and Blue channels. When opened the sliders will be set for 100% red and 0% for the other two channels. Before you do anything, select the Monochrome box at the bottom left of the dialogue box. Then have a look at the image with 100% for each of the other two colours in turn and 0% for the rest. The results will depend upon the majority of colours in the original. You may find that one of the channels suits you perfectly, in which case you can ignore the other two by leaving them at 0 and click on 'OK'.
However, it will probably be the case that you can get a better result by mixing bits of each channel. I start generally by reducing the Red to about 50 or 60 and increasing Green to 20 to 30 and the Blue to whatever makes up 100 - you don't have to end up with 100 but the results are normally better if you do. Once I have made the initial changes, it is a matter of trial and error to come up with the best result.
The Constant slider allows adjustments of the finished image - sliding to the left produces a darker result and to the right, a lighter one. I have found that I rarely adjust this.
There is no equivalent in Photoshop Elements.
LAB Mode
Another method that produces generally good results is to use the LAB Mode. With the colour image open, go to 'Image' and select 'Mode' then choose 'Lab color'. In the Layers Window, select 'Channels' which will give you four channels, LAB, Lightness, A and B. Go to channel A and select it all then delete it. Repeat this for channel B and then go to the Lightness channel. Go to 'Image>Mode>Grayscale' click 'OK' in the dialogue box that asks whether you want to discard the other channels and you have a monochrome image to adjust to your satisfaction.
There is no equivalent in Photoshop Elements.
Any one of the completed operations above will provide me with a useable monochrome image of the particular colour image that I selected to begin with. However, all require additional work to make them into more than just a basic monochrome picture.
As you have seen, and as with so many operations in Photoshop, it is possible to get to an end result in various ways and the ones I have outlined are not the only ones that will provide a conversion to monochrome. Some swear by one method or another but I find that while I have a tendency towards the channel mixer method, there are times when it doesn't produce the result I am after. Then I will try one of the alternative methods and am pleased that I know more than one. And, sometimes, I find an interesting result that I was not expecting and that takes me down a path that I was not anticipating.
Showing posts with label Digital Photography. Show all posts
Showing posts with label Digital Photography. Show all posts
Friday, September 19, 2008
Thursday, April 3, 2008
Pentax Student Photography Program
Pentax Student Photography Program
Pentax Imaging Company has announced a Pentax Student Photography Program to support budding photographers and photography educators with camera bodies, lenses and flashes at significant savings. Known for producing photography equipment that offers value, quality, ease-of-use, durability, and affordability, Pentax takes great pride in the commitment to countless users who have learned and taught the art of photography with a Pentax camera.
The Pentax Student Photography discounts are offered exclusively to full-time students at accredited institutions (high schools, colleges and universities) as well as full-time photography educators. Students and educators must observe the following conditions to qualify for these significant savings:
For more information, qualified photographers may e-mail customer.followup@pentax.com or call 1-800-877-0155 (press �0� and ask to speak to the Pentax STUDENT PROGRAM).
Pentax Imaging Company has announced a Pentax Student Photography Program to support budding photographers and photography educators with camera bodies, lenses and flashes at significant savings. Known for producing photography equipment that offers value, quality, ease-of-use, durability, and affordability, Pentax takes great pride in the commitment to countless users who have learned and taught the art of photography with a Pentax camera.
The Pentax Student Photography discounts are offered exclusively to full-time students at accredited institutions (high schools, colleges and universities) as well as full-time photography educators. Students and educators must observe the following conditions to qualify for these significant savings:
- Purchase the Pentax equipment from an authorized Pentax dealer between April 1, 2008 and June 30, 2008
- Complete a Pentax Student Program form (available for download at www.Pentaxslr.com/studentprogram)
- Students must provide photography class enrollment certification (class schedule or copy of registration) and a copy of a valid student identification.
- Educators must submit a copy of course curriculum for their photography class and a copy of a valid faculty identification.
For more information, qualified photographers may e-mail customer.followup@pentax.com or call 1-800-877-0155 (press �0� and ask to speak to the Pentax STUDENT PROGRAM).
Wednesday, December 26, 2007
Canon PowerShot SD850 IS 8.0 MP Digital Elph Camera with 4x Optical Image Stabilized Zoom
Canon PowerShot SD850 IS 8.0 MP Digital Elph Camera
with 4x Optical Image Stabilized Zoom
PowerShot SD850 Highlights
Advanced 8.0-megapixel Digital Elph with 4x optical zoom and exclusive UA lens
Count on the PowerShot SD850 IS Digital Elph for images that will make you say "wow" every time you shoot! Equipped with a high resolution 8-megapixel CCD, this Digital Elph is just what you need to capture life�s greatest inspirations as you�ve always wanted them. You�ll get every exquisite detail in dazzling, eye-popping color. And you can print big. Plus, the SD850 IS Digital Elph is equipped with a 4x optical zoom that features Canon�s exclusive UA lens with ultra-high refractive index glass to enhance your pictures while significantly reducing total lens size. Just imagine the possibilities!
Optical Image Stabilizer technology for steady, long zoom shooting
Life doesn�t give you second chances to capture special times. That�s why the elegant PowerShot SD850 IS Digital Elph is equipped with Canon�s acclaimed Optical Image Stabilizer Technology that automatically detects and corrects camera shake -- one of the leading causes of fuzzy or blurred shots. So now even when you�re zooming in tight you can get the steady, crisp, brilliant images you�ll be proud to shoot and share. And Canon�s Optical Image Stabilizer Technology is so convenient to use. Just turn it on, it functions perfectly with or without a flash.
DIGIC III Image Processor with improved Face Detection Technology and Red-eye Correction
With DIGIC III, you get images of superior quality, the camera functions at top efficiency and battery life is significantly enhanced. What�s more, DIGIC III enables Canon�s newly improved Face Detection Technology and Red-eye Correction to give you better, more true-to-life people shots. Simply press the Shutter Button halfway down, and the PowerShot SD850 IS Digital Elph automatically pinpoints the faces in the scene and chooses the ideal focus point. To keep every face looking bright and natural -- without scary red eyes -- the camera controls exposure settings and flash, so every shot is just what you were shooting for.
DIGIC III features Face Detection AF/AE, which finds multiple faces in the frame and sets the most suitable focus point, when the shutter button is pressed halfway. And an additional new feature, Face Detection FE adjusts the flash, based on a person�s face on the screen. Exposure and flash are controlled to ensure proper illumination of both the faces and the overall scene, eliminating the common problem of darkened or overexposed faces.
Red-eye Correction detects and automatically corrects red-eye during playback for both regular and flash photography. In unusual cases where red-eye is not automatically detected, it can easily be corrected manually during playback mode.
iSAPS technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the fast DIGIC III Image Processor to improve focus speed and accuracy, as well as exposure and white balance.
Vivid, high-resolution 2.5-inch PureColor LCD
The camera�s 2.5-inch LCD screen gives you the big picture, whether you�re shooting, reviewing or showing off your images. This extra-durable, high-resolution screen with tough scratch-resistant coating on the anti-reflective, PureColor LCD screen offers a crisp, clear picture to make shooting, playback and using the camera�s menu functions especially convenient. Clear and bright, it also features Night Display for easy viewing in low light.
Sensitivity range expanded to ISO 1600
The PowerShot SD850 IS Digital Elph features new ISO 1600 and High ISO Auto settings that reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater flexibility for shooting.
Creative Light effects, and five movies modes
A new Special Scene Mode "Creative Light Effects" brings you a new pleasure of capturing night scenes! You can select ant effect before shooting, then it transforms background bright spots to stars, hearts, music notes and more.
Shooting movies have also five options. With a highly flexible movie mode, you can create the movie that�s perfect for any application. Select from VGA (640 x 480 pixels) and QVGA (320 x 240 pixels), with frame rates of 30 fps and 15 fps for recording up to 1 hour or 4GB. Also choose from Fast Frame Rate (QVGA; 320 x 240 pixels) recording at 60 fps for up to 1 minute, Compact Movie Mode (QQVGA; 160 x 120 pixels) recording at 15 fps for up to 3 minutes, and Time Lapse (640 x 480) recording at 1 or 2 sec. intervals. The PowerShot SD850 IS Digital Elph supports the USB 2.0 Hi-Speed standard, so you�ll enjoy the fastest possible data transfer speeds when using a USB 2.0 Hi-Speed compatible computer.
18 Shooting Modes including 11 Special Scene Modes
- Auto The camera chooses all the settings so you can concentrate on your subject.
- Manual The ultimate in creative control, you set ISO speed, exposure compensation and white balance.
- Color Accent Choose to retain a single color in your image while other colors turn monochrome.
- Color Swap Select a color and replace it with a color you specify for special effects.
- Digital Macro Shoot larger-than-life close-ups with one-button simplicity.
- Stitch Assist Build awe-inspiring panoramas by neatly aligning sequential images.
- Movie Shoot in VGA and QVGA (30 fps/15 fps for up to 1 hour or 4GB), Fast Frame Rate (60 fps for up to 1 minute), QQVGA (15 fps for up to 3 minutes) or Time Lapse (640 x 480 for 1 sec./2 sec. intervals).
- Portrait The camera sets a large aperture, focusing the subject and artistically blurring the background to make your subject "pop."
- Foliage Capture brilliant shots of autumn foliage, greenery and blossoms.
- Snow Shoot clear snow scenes without darkened subjects or an unnatural bluish tint.
- Beach Get clear shots of people at a sunny beach without darkened faces.
- Fireworks Grab brilliant images of skyrocketing fireworks.
- Aquarium Achieve proper flash-free exposure and natural hues at indoor aquariums.
- Underwater Capture underwater images with reduced backscatter effect (Note: Optional Waterproof Case WP-DC15 required for shooting any underwater images).
- Indoor Reduce blur and improve color accuracy when shooting handheld indoors.
- Kids & Pets Reduced focusing time freezes fast-moving subjects, so you won�t miss those special shots.
- Night Snapshot Get natural-looking pictures with brighter backgrounds and subjects lit by flash.
- Creative Light Effects Transform background bright spots to stars, hearts, music notes and more.
Print/Share Button for easy direct printing and downloading
The PowerShot SD850 IS Digital Elph's Print/Share button makes direct printing easier than ever. Simply connect the SD850 IS Digital Elph to a Canon CP, SElphY or PIXMA Photo Printer or any PictBridge compatible photo printer, press the lighted Print/Share button and print! Also use the Print/Share button to transfer images to a computer (Windows and Macintosh).
Print your own ID photos in 28 different sizes or use the Movie Print function to output multiple stills from a recorded movie on a single sheet with a Canon SElphY Compact Photo Printer.
Direct Photo Printers
For desktop large-format printing, try one of the Direct Photo Printers that allow you to print without a computer in one of two ways: plug your compatible PowerShot camera into the Direct Photo Printer using the supplied USB interface cable, or simply insert a memory card into the supplied adapter. You can also connect the printer to your computer for more options. Print high-resolution, borderless images as postcards or 8.5 x 11-inch sheets within minutes.
Compact Photo Printers
Compact Photo Printers let you produce versatile, fun 4 x 6-inch postcards, 4 x 8-inch wide greeting cards or credit card size prints in just two easy steps: connect and press/print. Control the printer right from your camera's LCD screen. You get durable, dye-sublimated prints quickly with or without borders. Assorted paper types let you create mini or credit card size labels. You can even take select Compact Photo Printers to a party or an outdoor picnic using an optional rechargeable battery.
PictBridge
The PictBridge standard enables any digital camera that supports PictBridge to connect and print to any PictBridge compatible printer.
Product Description
Canon PowerShot SD850 IS Digital ELPH camera has an impressive array of top-tier photo features including an advanced ultra-compact zoom lens and optical viewfinder to easily capture, record and share brilliant images under a full range of shooting conditions, all within a curvaceous, eye-catching compact design. It is a digital camera that will really get your creative juices flowing. It starts with a high resolution 8.0 Megapixel CCD, a 4x Optical Zoom with Canon's exclusive UA Lens and an Optical Image Stabilizer for steady zooming. There's also a DIGIC III Image Processor with Face Detection and Red-eye correction, an ISO 1600 setting for sharper images in low light, 5 Movie Modes and a 2.5-inch PureColor LCD with scratch-resistant, anti-reflective coating for easy viewing. Still Resolution - Up to 3,264 x 2,448 (Large), 3,264 x 1,832 (Widescreen) - 16 - 9 Movie modes - 640 x 480 / 320 x 240 (30 fps/15 fps) available up to 4GB or 60 minutes, 640 x 480 (2 hours at 0.5 fps/1 fps), 320 x 240 (1 min. at 60 fps), 160 x 120 (3 min. at 15 fps) On camera editing Windows and Macintosh capable Computer Interface - USB 2.0 Hi-Speed (mini-B jack); Video Out - NTSC/PAL (connect cables included); Audio Out - Monaural Power Source - 1. Battery Pack NB-5L; 2. AC Adapter Kit ACK-DC30 (both included) Unit Dimensions (W x H x D) - 3.56 x 2.22 x 1.04 in./90.4 x 56.5 x 26.4mm; Weight - Approx. 5.82 oz./165g (camera body only).
Saturday, November 10, 2007
PENTAX K100D SUPER CAMERAS WILL GO TO SEA
PENTAX K100D SUPER CAMERAS WILL GO TO SEA
PENTAX K100D Super digital single lens reflex (DSLR) cameras will be available for use by attendees of an upcoming eight-day DSLR Photography Workshop Cruise scheduled to embark from Ft. Lauderdale, FL to ports in the Southern Caribbean on March 14-22, 2008.
The workshop is the eighth in a series that offers instruction in digital photography, imaging techniques and printing in a relaxed learning environment. The itinerary includes stops in St. Maarten, St. Lucia and St Kitts, three incomparably beautiful islands in the West Indies.
All attendees who enroll in the workshop will receive hardware and software gifts and those who do not yet own a DSLR will be able to reserve a new PENTAX K100D Super that will be delivered to them for a month-long familiarization period prior to the cruise.
With an 18-55mm zoom lens (35mm equivalent, 27-83mm), Shake Reduction, Automatic Dust Removal, 2.5-inch LCD monitor, and ISO sensitivity to 3200� the PENTAX K100D Super is perfect for travel photographers.
Limited to 20 participants, the workshop features four professional instructors, hands on participation, demonstrations and critiquing sessions, all within the context of mastering the many controls that DSLR cameras offer photographers to maximize their creative vision.
PENTAX K100D Super digital single lens reflex (DSLR) cameras will be available for use by attendees of an upcoming eight-day DSLR Photography Workshop Cruise scheduled to embark from Ft. Lauderdale, FL to ports in the Southern Caribbean on March 14-22, 2008.
The workshop is the eighth in a series that offers instruction in digital photography, imaging techniques and printing in a relaxed learning environment. The itinerary includes stops in St. Maarten, St. Lucia and St Kitts, three incomparably beautiful islands in the West Indies.
All attendees who enroll in the workshop will receive hardware and software gifts and those who do not yet own a DSLR will be able to reserve a new PENTAX K100D Super that will be delivered to them for a month-long familiarization period prior to the cruise.
With an 18-55mm zoom lens (35mm equivalent, 27-83mm), Shake Reduction, Automatic Dust Removal, 2.5-inch LCD monitor, and ISO sensitivity to 3200� the PENTAX K100D Super is perfect for travel photographers.
Limited to 20 participants, the workshop features four professional instructors, hands on participation, demonstrations and critiquing sessions, all within the context of mastering the many controls that DSLR cameras offer photographers to maximize their creative vision.
Saturday, October 20, 2007
Digital Camera Canon PowerShot Pro Series S5 IS 8.0MP with 12x Optical Image Stabilized Zoom
Digital Camera Canon PowerShot Pro Series S5 IS
8.0MP with 12x Optical Image Stabilized Zoom
The ultimate zoom and a whole lot more.
The ultra-powerful 12x optical zoom on the PowerShot S5 IS means you�ll get the shot you want with no compromise, yet that�s only the beginning of what makes this camera so exciting. The S5 IS is loaded with many of Canon�s latest advanced technologies, including the DIGIC III Image Processor, so both still images and movies are rendered with fine detail and luminous clarity. And now ambitious photographers have even greater creative latitude thanks to an included hot shoe adapter that allows you to attach Canon Speedlite EX Series external flashes.
PowerShot Pro Series S5 IS Highlights
Full-featured, compact 8.0-megapixel digital camera with a 12x optical zoom
The PowerShot S5 IS is compact and portable, with streamlined controls and a sure, steady grip. And you�ll want to take it everywhere, because inside is a level of photographic power that�s truly impressive. 8 megapixels ensure deeply detailed images -- giving you complete freedom to enlarge an image or any section of an image and crop to your exact specifications. The 12x optical zoom brings this compact digital camera into the realm of serious photography. It has the power to take you right up onto the stage and into the end zone for the shot you really want. Zooming is fast and silent thanks to the ultrasonic motor drive.
Canon Optical Image Stabilizer Technology and ISO 1600 for steady shooting
Life doesn�t give you second chances to capture special times. That�s why the elegant PowerShot S5 IS is equipped with Canon�s acclaimed Optical Image Stabilizer Technology that automatically detects and corrects camera shake -- one of the leading causes of fuzzy or blurred shots. So now even when you�re zooming in tight, you can get the steady, crisp, brilliant images you�ll be proud to shoot and share. And Canon�s Optical Image Stabilizer Technology is so convenient to use. It functions perfectly with or without a flash.
The PowerShot S5 IS also features new ISO 1600 and High ISO Auto settings that reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater flexibility for shooting.
DIGIC III Image Processor with improved Face Detection Technology and Red-eye Correction
With DIGIC III, you get images of superior quality, the camera functions at top efficiency and battery life is significantly enhanced. What�s more, DIGIC III enables Canon�s newly improved Face Detection Technology and Red-eye Correction to give you better, more true-to-life people shots. Simply press the Shutter Button halfway down, and the PowerShot S5 IS automatically pinpoints the faces in the scene and chooses the ideal focus point. To keep every face looking bright and natural -- without scary red eyes -- the camera controls exposure settings and flash, so every shot is just what you were shooting for.
DIGIC III features Face Detection AF/AE, which finds multiple faces in the frame and sets the most suitable focus point, when the shutter button is pressed halfway. And an additional new feature, Face Detection FE adjusts the flash, based on a person�s face on the screen. Exposure and flash are controlled to ensure proper illumination of both the faces and the overall scene, eliminating the common problem of darkened or overexposed faces.
Red-eye correction detects and automatically corrects red-eye during playback for both regular and flash photography. In unusual cases where red-eye is not automatically detected, it can easily be corrected manually during playback mode.
iSAPS technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the fast DIGIC III Image Processor to improve focus speed and accuracy, as well as exposure and white balance.
High-resolution 2.5-inch vari-angle LCD
The camera�s 2.5-inch LCD screen gives you the big picture, whether you�re shooting, reviewing or showing off your images. This high-resolution screen offers a crisp, clear picture to make shooting, playback, and using the camera�s menu functions especially convenient. Clear and bright, it also features Night Display for easy viewing in low light.
Hot shoe adapter for the Speedlite EX Series external flashes*
Advanced users and anyone looking to expand their photographic repertoire will be excited to find that Canon has integrated the PowerShot S5 IS with a hot shoe adapter. The adapter lets you quickly and easily add one of several high-quality Canon Speedlite EX Series external flashes, including 220EX, 430EX, 580EX and 580EX II. Adding an external flash allows for advanced creative effects and greatly enhances your ability to achieve professional-quality results in many more situations. Flash intensity and other settings are easily accessed and controlled from the camera�s LCD screen.
*Note: External flashes not included
A variety of movie-making options
With a highly flexible movie mode, you can create the movie that�s perfect for any application. Select from VGA (640 x 480 pixels) with frame rates of 30 fps and 30 fps LP, also QVGA (320 x 240 pixels) with frame rates of 60 fps and 30 fps for recording up to 1 hour or 4GB. With the S5 IS, seamless movie shooting is easy -- just by pressing the Movie button without switching to shooting mode. The PowerShot S5 IS supports the USB 2.0 Hi-Speed standard, so you�ll enjoy the fastest possible data transfer speeds when using a USB 2.0 Hi-Speed compatible computer.
22 Shooting Modes, including 9 Special Scene Modes
- Auto The camera chooses all the settings so you can concentrate on your subject.
- Program Access advanced exposure compensation features while shooting mostly automatically.
- Av Aperture-priority You define the aperture to either isolate your subject or have clarity throughout the entire picture, and the camera will choose the corresponding shutter speed.
- Tv Shutter-priority You select the shutter speed to stop or blur action, and the camera finds the appropriate aperture. With slow exposure times, Canon�s noise reduction system activates to ensure low image noise.
- Manual The ultimate in creative control, you set ISO speed, exposure compensation and white balance.
- C Custom Define and store your own settings to achieve the effects you prefer.
- Portrait The camera sets a large aperture, focusing the subject and artistically blurring the background to make your subject "pop."
- Landscape For front to back sharpness, the camera sets a small aperture.
- Sports Ensure highly accurate autofocusing when shooting fast-moving subjects.
- Night Snapshot Get natural-looking pictures with brighter backgrounds and subjects lit by flash.
- Super Macro Close to almost touching distance to capture the subject detail.
- Stitch Assist Build awe-inspiring panoramas by neatly aligning sequential images.
- Movie Shoot in VGA (30 fps/30 fps LP) and QVGA (60 fps/30 fps) for up to 1 hour or 4 GB).
- Night Scene For impressive sunset or nightlife shots, the camera properly exposes the background and uses slow-sync flash for the subject.
- Foliage Capture brilliant shots of autumn foliage, greenery and blossoms.
- Snow Shoot clear snow scenes without darkened subjects or an unnatural bluish tint.
- Beach Get clear shots of people at a sunny beach without darkened faces.
- Fireworks Grab brilliant images of skyrocketing fireworks.
- Aquarium Achieve proper flash-free exposure and natural hues at indoor aquariums.
- Indoor Reduce blur and improve color accuracy when shooting handheld indoors.
- Color Accent Choose to retain a single color in your image while other colors turn monochrome.
- Color Swap Select a color and replace it with a color you specify for special effects.
The PowerShot S5 IS's Print/Share button makes direct printing easier than ever. Simply connect the S5 IS to a Canon CP, SElphY or PIXMA Photo Printer or any PictBridge compatible photo printer, press the lighted Print/Share button and print! Also use the Print/Share button to transfer images to a computer (Windows and Macintosh).
Print your own ID photos in 28 different sizes or use the Movie Print function to output multiple stills from a recorded movie on a single sheet with a Canon SElphY Compact Photo Printer.
Direct Photo Printers
For desktop large-format printing, try one of the Direct Photo Printers that allow you to print without a computer in one of two ways: plug your compatible PowerShot camera into the Direct Photo Printer using the supplied USB interface cable, or simply insert a memory card into the supplied adapter. You can also connect the printer to your computer for more options. Print high-resolution, borderless images as postcards or 8.5" x 11" sheets within minutes.
Compact Photo Printers
Compact Photo Printers let you produce versatile, fun 4 x 6-inch postcards, 4 x 8-inch wide greeting cards or credit card size prints in just two easy steps: connect and press/print. Control the printer right from your camera's LCD screen. You get durable, dye-sublimated prints quickly with or without borders. Assorted paper types let you create mini or credit card size labels. You can even take select Compact Photo Printers to a party or an outdoor picnic using an optional rechargeable battery.
PictBridge
The PictBridge standard enables any digital camera that supports PictBridge to connect and print to any PictBridge compatible printer.
Product Description
The ultra-powerful 12x optical zoom on the PowerShot S5 IS means you'll get the shot you want with no compromise, yet that's only the beginning of what makes this camera so exciting. The S5 IS is loaded with many of Canon's latest advanced technologies including the DIGIC III Image Processor, so both still images and movies are rendered with fine detail and luminous clarity. And now ambitious photographers have even greater creative latitude thanks to an included hot shoe adapter that allows you to attach Canon Speedlite EX Series external flashes. Focusing Range - Normal - 1.6 ft./50cm-infinity (WIDE), 3.0 ft./90cm-infinity (TELE) /Macro - 3.9 in.-1.6 ft./10-50cm (W) / Super Macro - 0-3.9 in./0-10cm (W) Autofocus System - TTL Autofocus / Viewfinders - Optical Viewfinder Low-temperature polycrystalline silicon TFT color viewfinder LCD Monitor - 2.5-inch low-temperature polycrystalline silicon TFT color LCD with wide viewing angle Aperture and Shutter - Maximum Aperture f/2.7 (W) - f/3.5 (T) / Shutter Speed / 15-1/3200 sec. Exposure Control - ISO Sensitivity Auto, High ISO Auto, ISO 80/100/200/400/800/1600 equivalent Program AE, Shutter Speed-Priority AE, Aperture-Priority AE, Manual; AE Lock Built-in Flash - Auto, Auto w/Red-eye Reduction, Flash On, Flash On w/Red-eye Reduction, Flash Off; FE lock, Safety FE available Image Storage - SD Memory Card, SDHC Memory Card, MultiMediaCard Dimensions (W x H x D) - 4.60 x 3.15 x 3.06 inches (117.0 x 80.0 x 77.7mm) / Weight - 15.9 oz.
Monday, October 15, 2007
Canon to exhibit two new telephoto lenses under development at Photoplus Expo
Canon to exhibit two new telephoto lenses under development at Photoplus Expo
Canon announced the development of two all-new telephoto lenses for use with its EOS SLR cameras: the EF200mm f/2L IS USM and the EF800mm f/5.6L IS USM. The Company will exhibit prototypes of the new lenses at PhotoPlus Expo (booth #318), taking place at the Jacob K. Javits Convention Center in New York City, October 18 to 20.
The new Canon EF200mm f/2L IS USM and EF800mm f/5.6L IS USM, both of which are L (luxury)-series lenses incorporating a high-performance Image Stabilizer, feature optical systems utilizing special optical materials such as fluorite to correct chromatic aberrations, making possible high-resolution, high-contrast shooting performance.
The Canon EF200mm f/2L IS USM, targeting users who seek a brighter lens for portraiture and indoor sports photography, realizes a large aperture of f/2. The EF800mm f/5.6L IS USM, expected to deliver telephoto performance surpassing the current top-of-the-line EF600mm f/4L IS USM super telephoto lens, is being developed in response to requests from users working in the fields of sports and news photography who are looking for a high-performance lens that offers a longer focal length.
"These new lenses demonstrate that Canon is continuing to respond actively and flexibly to the wide-ranging needs of professional and advanced amateur users, with the aim of contributing to the expansion of photographic possibilities for SLR cameras," said Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. "Canon's EOS System is the premier brand of Digital SLR cameras, and we take great pride in offering the world's largest selection of interchangeable autofocus lenses."
Canon announced the development of two all-new telephoto lenses for use with its EOS SLR cameras: the EF200mm f/2L IS USM and the EF800mm f/5.6L IS USM. The Company will exhibit prototypes of the new lenses at PhotoPlus Expo (booth #318), taking place at the Jacob K. Javits Convention Center in New York City, October 18 to 20.
The new Canon EF200mm f/2L IS USM and EF800mm f/5.6L IS USM, both of which are L (luxury)-series lenses incorporating a high-performance Image Stabilizer, feature optical systems utilizing special optical materials such as fluorite to correct chromatic aberrations, making possible high-resolution, high-contrast shooting performance.
The Canon EF200mm f/2L IS USM, targeting users who seek a brighter lens for portraiture and indoor sports photography, realizes a large aperture of f/2. The EF800mm f/5.6L IS USM, expected to deliver telephoto performance surpassing the current top-of-the-line EF600mm f/4L IS USM super telephoto lens, is being developed in response to requests from users working in the fields of sports and news photography who are looking for a high-performance lens that offers a longer focal length.
"These new lenses demonstrate that Canon is continuing to respond actively and flexibly to the wide-ranging needs of professional and advanced amateur users, with the aim of contributing to the expansion of photographic possibilities for SLR cameras," said Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. "Canon's EOS System is the premier brand of Digital SLR cameras, and we take great pride in offering the world's largest selection of interchangeable autofocus lenses."
Thursday, October 4, 2007
Digital Elph Camera Canon PowerShot SD1000 7.1MP with 3x Optical Zoom
Digital Elph Camera Canon PowerShot SD1000
7.1MP with 3x Optical Zoom
Great design is just part of the PowerShot SD1000 Digital Elph Camera story. Inside is all the power you need to capture the moments of your life -- beautifully. The 7.1-megapixel CCD records a wealth of detail -- enough to let you enlarge and crop at will. Images are rich and sharp with lifelike depth. The camera�s Genuine Canon 3x optical zoom not only gets you in close, but performs with all the clarity and brilliance you�d expect from the world�s leader in advanced optics technology.
PowerShot SD1000 Highlights
DIGIC III Image Processor
With DIGIC III, you get images of superior quality, the camera functions at top efficiency, and battery life is significantly enhanced. What�s more, DIGIC III enables Canon�s newly-improved Face Detection Technology and Red-eye Correction to give you better, more true-to-life people shots. Simply press the Shutter button halfway down, and the PowerShot SD1000 Digital Elph automatically pinpoints the faces in the scene and chooses the ideal focus point. To keep every face looking bright and natural -- without scary red eyes -- the camera controls exposure settings and flash, so every shot is just what you were shooting for.
Face Detection AF/AE finds multiple faces in the frame and sets the most suitable focus point, when the shutter button is pressed halfway. And an additional feature, Face Detection FE adjusts the flash, based on a person�s face on the screen. Exposure and flash are controlled to ensure proper illumination of both the faces and the overall scene, eliminating the common problem of darkened or overexposed faces.
Red-eye Correction detects and automatically corrects red-eye during playback for both regular and flash photography. In unusual cases where red-eye is not automatically detected, it can easily be corrected manually during playback mode from the LCD screen.
iSAPS technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the fast DIGIC III Image Processor to improve focus speed and accuracy, as well as exposure and white balance.
Vivid, high-resolution 2.5-inch PureColor LCD
The camera�s 2.5-inch LCD screen gives you the big picture, whether you�re shooting, reviewing or showing off your images. This extra-durable, high-resolution screen with tough scratch-resistant coating on the anti-reflective, PureColor LCD offers a crisp, clear picture to make shooting, playback and using the camera�s menu functions especially convenient. Clear and bright, it also features Night Display for easy viewing in low light.
ISO 1600 and High ISO Auto
The PowerShot SD1000 Digital Elph features new ISO 1600 and High ISO Auto settings that reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater flexibility for shooting.
Superior movie quality
With a highly flexible movie mode, you can create the movie that�s perfect for any application. Select from VGA (640 x 480 pixels) and QVGA (320 x 240 pixels), with frame rates of 30 fps and 15 fps for recording up to 1 hour or 4GB. Also choose from Fast Frame Rate (QVGA; 320 x 240 pixels) recording at 60 fps for up to 1 minute, Compact Movie Mode (QQVGA; 160 x 120 pixels) recording at 15 fps for up to 3 minutes, and Time Lapse (640 x 480) recording at 1 or 2 second intervals. The PowerShot SD1000 Digital Elph supports the USB 2.0 Hi-Speed standard, so you�ll enjoy the fastest possible data transfer speeds when using a USB 2.0 Hi-Speed compatible computer.
Shooting Modes
- Auto The camera chooses all the settings so you can concentrate on your subject.
- Manual The ultimate in creative control, you set ISO speed, exposure compensation and white balance.
- Portrait The camera sets a large aperture, focusing the subject and artistically blurring the background to make your subject "pop."
- Night Snapshot Get natural-looking pictures with brighter backgrounds and subjects lit by flash.
- Color Accent Choose to retain a single color in your image while other colors turn monochrome.
- Color Swap Select a color and replace it with a color you specify for special effects.
- Digital Macro Shoot larger-than-life close-ups with one-button simplicity.
- Stitch Assistv Build awe-inspiring panoramas by neatly aligning sequential images.
- Movie Shoot in VGA and QVGA (30 fps/15 fps for up to 1 hour or 4GB), Fast Frame Rate (60 fps for up to 1 minute), QQVGA (15 fps for up to 3 minutes) or Time Lapse (640 x 480 for 1 sec/2 second interval).
Special Scene Modes
- Foliage Capture brilliant shots of autumn foliage, greenery and blossoms.
- Snow Shoot clear snow scenes without darkened subjects or an unnatural bluish tint.
- Beach Get clear shots of people at a sunny beach without darkened faces.
- Fireworks Grab brilliant images of skyrocketing fireworks.
- Aquarium Achieve proper flash-free exposure and natural hues at indoor aquariums.
- Underwater Capture underwater images with reduced backscatter effect.(Note: Optional Waterproof Case WP-DC13 required for shooting any underwater images)
- Indoor Reduce blur and improve color accuracy when shooting handheld indoors.
- Kids & Pets Reduced focusing time freezes fast-moving subjects, so you won�t miss those special shots.
Product Description
Chic, simple. Canon looked to the very first ELPH for inspiration when designing the PowerShot SD1000 Digital ELPH, and came up with a quintessential iteration of the icon: slim, clean-lined and fully flat. Inside, the SD1000 Digital ELPH looks only to the future: 7.1 megapixels, a 3x optical zoom and advanced DIGIC III ensure top-quality images, while focus is fast and sharp and red-eye is automatically corrected. The large and more colorful LCD screen now has a tough, anti-reflective coating that makes it as durable as it is beautiful. Shutter Speed - 15-1/1500 sec.; Long Shutter operates with noise reduction when manually set at 1.3-15 sec. Metering - Evaluative, Center-weighted average, Spot; Control to incorporate facial brightness in Face Detection Shooting Modes menu - Auto, Camera M, Portrait, Special Scene (Foliage, Snow, Beach, Fireworks, Aquarium, Underwater, Indoor, Kids & Pets), Night Snapshot, Color Accent, Color Swap, Digital Macro, Stitch Assist, Movie Image Files - Still Image - Exif 2.2 JPEG / Movie - AVI (Image - Motion JPEG; Audio - WAVE (Monaural) Selectable image resolutions - Still Image - 640 x 480 (Small), 1,600 x 1,200 (Medium 3), 2,048 x 1,536 (Medium 2), 2,592 x 1,944 (Medium 1), 3,072 x 2,304 (Large), 3,072 x 1,728 (Widescreen); Movie - 640 x 480 / 320 x 240 (30 fps/15 fps) available up to 4GB, 320 x 240 (1 min. at 60 fps), 160 x 120 (3 min. at 15 fps), 640 x 480 (2 hrs. at 0.5 fps/1 fps. Playback at 15 fps) Play modes - Still Image - Single, Magnification (approx. 2x-10x), Jump, Auto Rotate, Rotate, Resume, My Category, Histogram, Index (9 thumbnails), Sound Memos, Sound Recorder, Slide Show, Red-eye Correction; Movie - Normal Playback, Special Playback, Auto Rotate, Resume Video output is NTSC and PAL compatible Has USB 2.0 port for image transfer to PC or Mac Unit Dimensions WHD - 3.38 x 2.11 x 0.76 in. / 85.9 x 53.5 x 19.4mm; Weight - About 4.41 oz. / 125g
Monday, September 24, 2007
Nikon CoolPix P5000 10MP Digital Camera
Nikon CoolPix P5000 10MP Digital Camera
Key Features
Tech Specs
Key Features
- 10.0 Megapixels for stunning prints as large as 20 x 30 inches.
- 3.5x Optical Zoom-Nikkor Glass Lens provides exceptional pictures with incredible color and clarity.
- Optical Vibration Reduction Image Stabilization minimizes the effect of camera shake.
- Incredible, bright 2.5-inch high resolution LCD and Optical Viewfinder makes it easy to compose and share your pictures with friends and family.
- Program, Aperture, Shutter and Manual exposure modes gives you as much control over your pictures as you want.
- Auto adjusts up to ISO 3200 (5MP or lower) to keep shooting, even in lower light.
- Available Telephoto and Wide Angle adapters to expand the camera's capabilities along with your own.
- Hot Shoe for i-TTL-compatible Nikon Speedlights.
- Nikon In-Camera Innovations featuring: In-Camera Red-Eye Fix(TM) automatically fixes most instances of red-eye in the camera. You may never see red-eye again. Face-Priority AF - Nikon's face-finding technology that automatically focuses on faces, and D-Lighting that rescues dark or backlit images by improving brightness and detail where needed.
Tech Specs
- Effective pixels: 10.0 million
- Image sensor : 1/1.8-in. CCD; approx. 10.37 million total pixels
- Lens: 3.5x Zoom-Nikkor; 7.5-26.3mm (35mm [135] format picture angle: 36-126mm); f/2.7-5.3; 7 elements in 6 groups; digital zoom: up to 4x (35mm [135] format picture angle: 504mm)
- Focus range (from lens): 1 ft. (30cm) to infinity [W], 2 ft. 4 in. (70cm) to infinity [T]; Macro close-up mode:1.6 in. (4cm) to infinity [W], 1 ft. 4 in. (40cm) to infinity[T]
- Monitor: 2.5-in., 230,000-dot, wide viewing angle TFT LCD with anti-reflection coating
- Storage media: Internal memory (approx. 21MB), SD/SDHC memory card compatible
- Movie: With sound: TV movie (640) at 30fps/15fps, small size (320) at 15fps, smaller size (160) at 15fps, sepia (320) at 15fps, monochromatic (320) at 15fps; without sound: time-lapse movie at 30fps
- Image size (pixels): 3648 x 2736 (10M), 2592 x 1944 (5M), 2048 x 1536 (3M), 1600 x 1200 (2M), 1280 x 960 (1M), 1024 x 768 PC, 640 x 480 TV, 3648 x 2432 (3:2), 3584 x 2016 (16:9)
- ISO sensitivity: ISO 64, 100, 200, 400, 800, 1600, 2000, 3200, Auto (auto gain ISO 64-800)
- Built-in flash: Range: (W) 0.3 to 8.0m (1 ft. to 26 ft. 3 in.), (T) 0.3 to 4.0m (1 ft. to 13 ft. 1 in.)
- Interface: USB
- Supported languages: Czech, Danish, German, English, Spanish, French, Indonesian, Italian, Dutch, Norwegian, Polish, Portuguese, Russian, Finnish, Swedish, Chinese (Simplified and Traditional), Japanese, Korean, Thai
- Power sources: Rechargeable Li-ion Battery EN-EL5 (supplied), AC Adapter EH-62A (optional)
- Battery life: Approx. 250 shots with EN-EL5 battery (based on CIPA standard)
- Dimensions (WxHxD): Approx. 98 x 64.5 x 41 mm (3.9 x 2.5 x 1.6 in.) excluding projections
- Weight: Approx. 200 g (7.1 oz.) without battery and SD memory card
- Supplied accessories*: USB Cable UC-E6, Audio Video Cable EG-CP14, Rechargeable Li-ion Battery EN-EL5, Battery Charger MH-61, Strap, PictureProject CD-ROM
- *Supplied accessories may differ by country or area.
- Optional accessories: AC Adapter EH-62A, Wide-angle Converter WC-E67, Telephoto Converter TC-E3ED, Adapter Ring UR-E20, Speedlight SB-400, Speedlight SB-600, Speedlight SB-800
- PictureProject System Requirements: OS Macintosh: Mac(R) OS X version 10.3.9; 10.4.x Windows: Windows(R) Vista (32 bit), Window(R)XP Home Edition/Professional, Windows(R) 2000 Professional pre-installed models.
- Note: CD-ROM drive required for installation. Only built-in USB ports are supported.
Tuesday, September 18, 2007
Take better photos
Take better photos
Arranging the perfect shot: Improve your digital camera photo composition by properly framing your subject, choosing the right backgrounds, and more.
Position your subject
The way you fill your frame can be the difference between a "snapshot" and a truly moving photograph. Whether you're producing fine art, or preserving everyday moments, these guidelines will take your photos to the next level.
Choose the right backgrounds
Simple backgrounds are best for subjects with busy patterns. If you don't have the luxury of the perfect background, you can adjust your depth of field to focus on objects closer to you, while blurring objects far away.
Likewise, simple patterns look best set against a detailed background.
Also, be sure the background of your photo doesn't interfere with your subject and take attention away. Objects such as poles or tree branches can ruin your shot completely.
Imply distance and dimension
A photo of a distant subject can seem static and one-dimensional. Including subjects nearer to you in your photos gives a sense of distance.
Choose an orientation
Your camera produces a rectangular image. This gives you two distinct orientations to work with-vertical or horizontal. Often, your subject will lend itself to one or the other. One sure way to find out is simply to take your photo both ways and decide which is best.
Get close to your subject
Close-up photography adds intimacy to your photos. It brings the viewer in and helps capture all the hidden details and moments you might not ever see.
Use a unique point of view
Break the habit of shooting everything from eye level. Experiment with kneeling down to capture subjects from near the ground, or photographing subjects above you.
Use your surroundings to frame your subject
You can frame your subject in your photo by taking advantage of various naturally occurring physical structures or patterns. Doorways, windows, trees, bushes�almost anything can be used.
Arranging the perfect shot: Improve your digital camera photo composition by properly framing your subject, choosing the right backgrounds, and more.
Position your subject
The way you fill your frame can be the difference between a "snapshot" and a truly moving photograph. Whether you're producing fine art, or preserving everyday moments, these guidelines will take your photos to the next level.
- Rule of thirds
- Cropping
Choose the right backgrounds
Simple backgrounds are best for subjects with busy patterns. If you don't have the luxury of the perfect background, you can adjust your depth of field to focus on objects closer to you, while blurring objects far away.
Likewise, simple patterns look best set against a detailed background.
Also, be sure the background of your photo doesn't interfere with your subject and take attention away. Objects such as poles or tree branches can ruin your shot completely.
Imply distance and dimension
A photo of a distant subject can seem static and one-dimensional. Including subjects nearer to you in your photos gives a sense of distance.
Choose an orientation
Your camera produces a rectangular image. This gives you two distinct orientations to work with-vertical or horizontal. Often, your subject will lend itself to one or the other. One sure way to find out is simply to take your photo both ways and decide which is best.
Get close to your subject
Close-up photography adds intimacy to your photos. It brings the viewer in and helps capture all the hidden details and moments you might not ever see.
Use a unique point of view
Break the habit of shooting everything from eye level. Experiment with kneeling down to capture subjects from near the ground, or photographing subjects above you.
Use your surroundings to frame your subject
You can frame your subject in your photo by taking advantage of various naturally occurring physical structures or patterns. Doorways, windows, trees, bushes�almost anything can be used.
Sunday, September 16, 2007
Common Digital Terms | Glossary
Common Digital Terms | Glossary
Unclear about megabytes and kilobytes? Can't remember the difference between memory cards and MultiMedia cards? Is confusion about battery types draining you of energy? Then let our glossary of common digital terms help unravel the mysteries and jumpstart your digital education!
Bit
A "bit" is a condensed combination of the two words binary + digit. It is the smallest unit of memory in a computer.
Card reader
A card reader is a dedicated drive into which you can insert your camera�s memory card. A card reader transfers the images from the memory card in your camera to your computer. You can choose from cards that accept Compact Flash readers, Secure Digital (SD) cards, or multi-card readers that accept several different types of cards.
Digital zoom
A digital zoom magnifies just a portion of the image as opposed to an optical zoom that lets you actually change the focal length of your lens and enlarge the whole image. With a digital zoom, the image loses its sharpness as it gets bigger.
Digital SLR (DSLR)
A DSLR camera is a digital camera that allows you to change the lenses. It�s used mostly by professionals and comes with lots of advanced manual and automatic features. SLR �Single-Lens-Reflex� means that you are looking at your image through the lens before you take the picture.
Digitize
To digitize an image refers to converting analog information into digital format so it can be used on a computer. People can digitize old photos by scanning them with a scanner.
Docking station
A docking station is a device that you can attach your camera to facilitate download and sometimes perform rechargeable functions. The docking station is connected to the computer full-time and acts as an intermediary between the camera and the computer.
DPI (Dots Per Inch)
DPI refers to the number of dots a printer or device (like a monitor) can display per linear inch. For example, a laser printer with a resolution of 300 dpi makes prints with 300 dots per square inch. The higher the DPI, the better the resolution.
EXIF (Exchangeable Image File format)
EXIF refers to the information about each picture you take, such as date and time, resolution, orientation, etc., The information is �recorded with� the images when you take the picture.
Flash memory
Flash memory refers to the removable memory cards that record images in a digital camera. When the power is turned off, flash memory retains the images and memory space can be continually erased and used again. Compact Flash, Secure Digital and Memory Stick are the most popular types of flash memory.
Image sensor
The image sensor is the light sensitive chip in your camera that records exposure data when you take the picture.
JPEG (Joint Photographic Experts Group)
JPEG is a standardized file format used to compress and store digital images of natural, real-world scenes (as opposed to illustrations or drawings). This format is also commonly used for images you see on the Web and for images attached to e-mails.
Kilobyte
A kilobyte is equal to 1024 bytes and refers to computer memory, disk space, or document size.
LCD (Liquid Crystal Display)
An LCD is a full-color display screen on a digital camera that lets you preview and review pictures. On many models, it will also allow you to view information, such as menu options and camera settings.
Lithium battery
Lithium batteries are batteries that use lithium in the process of creating power. Lithium batteries are standard disposable batteries while lithium-ion batteries are rechargeable. They are very efficient and powerful batteries and usually perform better than Alkaline or NiMH (Nickel Metal Hydride) batteries.
Megabyte
A megabyte is an amount of computer memory consisting of about one million bytes. (The actual value is 1,048,576 bytes or 1024 KB.)
Megapixel
A megapixel is equal to 1 million pixels. The more pixels in an image, the higher the pictures fidelity and detail and the greater the print quality will be.
Memory
Memory is what digital cameras need instead of film to store images. Some digital cameras have a certain amount of memory which stores a limited number of images depending on how large the memory capacity is. You can add memory to most digital cameras by using a memory card.
Memory cards
Memory cards are devices that provide extra storage for digital media such as pictures, sound and movie files. They come in a variety of capacities. Typical memory capacities are 16MB, 32MB, 64MB, 128MB, 256MB, etc. The higher the capacity the more images can be stored.
MMC (MultiMedia cards)
MultiMedia cards are one type of removable memory card.
NiMH
NiMH stands for Nickel-Metal Hydride and refers to a type of rechargeable batteries used in most digital cameras. NiMH rechargeable batteries do not need to be depleted of power before being recharged.
Photo kiosk
A photo-kiosk is a computer-driven device that allows users to edit and print pictures from negatives, prints, or digital files on a picture card, CD, or disk. Kiosks can usually be found in retail stores.
Pixel
A pixel is a condensed combination of the words PICture ELement. It refers to the smallest element, or dot, that makes up a digitized image. The number of pixels determines the resolution.
PPI (Pixels Per Inch)
PPI refers to the number of pixels per linear inch used to describe image resolution. A higher ppi means your images will have more detail which, in turn, means higher image fidelity.
Resolution
Resolution refers to the number of units in a whole, pixels in an image, dots in a print, etc. A high-resolution image means the image fidelity/detail will be higher. It's expressed as horizontal pixels times vertical pixels, such as 800 x 600, 1600 x 1200, or 2048 x 1536.
SD (Secure Digital) memory card
An SD memory card is an extremely small type of removable memory card used in most of the newer digital cameras.
USB Port (universal serial bus)
A USB port is a connection point on the back of the computer where you plug in your digital camera or card reader or other USB devices. When you connect to the USB port, you can download your photos from your camera to your computer.
Unclear about megabytes and kilobytes? Can't remember the difference between memory cards and MultiMedia cards? Is confusion about battery types draining you of energy? Then let our glossary of common digital terms help unravel the mysteries and jumpstart your digital education!
Bit
A "bit" is a condensed combination of the two words binary + digit. It is the smallest unit of memory in a computer.
Card reader
A card reader is a dedicated drive into which you can insert your camera�s memory card. A card reader transfers the images from the memory card in your camera to your computer. You can choose from cards that accept Compact Flash readers, Secure Digital (SD) cards, or multi-card readers that accept several different types of cards.
Digital zoom
A digital zoom magnifies just a portion of the image as opposed to an optical zoom that lets you actually change the focal length of your lens and enlarge the whole image. With a digital zoom, the image loses its sharpness as it gets bigger.
Digital SLR (DSLR)
A DSLR camera is a digital camera that allows you to change the lenses. It�s used mostly by professionals and comes with lots of advanced manual and automatic features. SLR �Single-Lens-Reflex� means that you are looking at your image through the lens before you take the picture.
Digitize
To digitize an image refers to converting analog information into digital format so it can be used on a computer. People can digitize old photos by scanning them with a scanner.
Docking station
A docking station is a device that you can attach your camera to facilitate download and sometimes perform rechargeable functions. The docking station is connected to the computer full-time and acts as an intermediary between the camera and the computer.
DPI (Dots Per Inch)
DPI refers to the number of dots a printer or device (like a monitor) can display per linear inch. For example, a laser printer with a resolution of 300 dpi makes prints with 300 dots per square inch. The higher the DPI, the better the resolution.
EXIF (Exchangeable Image File format)
EXIF refers to the information about each picture you take, such as date and time, resolution, orientation, etc., The information is �recorded with� the images when you take the picture.
Flash memory
Flash memory refers to the removable memory cards that record images in a digital camera. When the power is turned off, flash memory retains the images and memory space can be continually erased and used again. Compact Flash, Secure Digital and Memory Stick are the most popular types of flash memory.
Image sensor
The image sensor is the light sensitive chip in your camera that records exposure data when you take the picture.
JPEG (Joint Photographic Experts Group)
JPEG is a standardized file format used to compress and store digital images of natural, real-world scenes (as opposed to illustrations or drawings). This format is also commonly used for images you see on the Web and for images attached to e-mails.
Kilobyte
A kilobyte is equal to 1024 bytes and refers to computer memory, disk space, or document size.
LCD (Liquid Crystal Display)
An LCD is a full-color display screen on a digital camera that lets you preview and review pictures. On many models, it will also allow you to view information, such as menu options and camera settings.
Lithium battery
Lithium batteries are batteries that use lithium in the process of creating power. Lithium batteries are standard disposable batteries while lithium-ion batteries are rechargeable. They are very efficient and powerful batteries and usually perform better than Alkaline or NiMH (Nickel Metal Hydride) batteries.
Megabyte
A megabyte is an amount of computer memory consisting of about one million bytes. (The actual value is 1,048,576 bytes or 1024 KB.)
Megapixel
A megapixel is equal to 1 million pixels. The more pixels in an image, the higher the pictures fidelity and detail and the greater the print quality will be.
Memory
Memory is what digital cameras need instead of film to store images. Some digital cameras have a certain amount of memory which stores a limited number of images depending on how large the memory capacity is. You can add memory to most digital cameras by using a memory card.
Memory cards
Memory cards are devices that provide extra storage for digital media such as pictures, sound and movie files. They come in a variety of capacities. Typical memory capacities are 16MB, 32MB, 64MB, 128MB, 256MB, etc. The higher the capacity the more images can be stored.
MMC (MultiMedia cards)
MultiMedia cards are one type of removable memory card.
NiMH
NiMH stands for Nickel-Metal Hydride and refers to a type of rechargeable batteries used in most digital cameras. NiMH rechargeable batteries do not need to be depleted of power before being recharged.
Photo kiosk
A photo-kiosk is a computer-driven device that allows users to edit and print pictures from negatives, prints, or digital files on a picture card, CD, or disk. Kiosks can usually be found in retail stores.
Pixel
A pixel is a condensed combination of the words PICture ELement. It refers to the smallest element, or dot, that makes up a digitized image. The number of pixels determines the resolution.
PPI (Pixels Per Inch)
PPI refers to the number of pixels per linear inch used to describe image resolution. A higher ppi means your images will have more detail which, in turn, means higher image fidelity.
Resolution
Resolution refers to the number of units in a whole, pixels in an image, dots in a print, etc. A high-resolution image means the image fidelity/detail will be higher. It's expressed as horizontal pixels times vertical pixels, such as 800 x 600, 1600 x 1200, or 2048 x 1536.
SD (Secure Digital) memory card
An SD memory card is an extremely small type of removable memory card used in most of the newer digital cameras.
USB Port (universal serial bus)
A USB port is a connection point on the back of the computer where you plug in your digital camera or card reader or other USB devices. When you connect to the USB port, you can download your photos from your camera to your computer.
Source: Pentax
Selecting a Digital Camera
Selecting a Digital Camera
So you've decided to buy a digital camera. That's great! But with the huge assortment of digital cameras to choose from, how do you know which one is right for you? Which features are most important? Where do you begin?
Digital Camera Usage
You've decided to invest in a digital camera. The great times are about to begin! But what should you look for in a camera so it does want you want it to do? Let us help. Our top five points to consider can help you determine your needs. Once you learn everything your camera can do, you'll never want to put it down again!
1. Megapixels and resolution: In clearer terms, what size pictures do you want to print?
There's lots of talk about megapixels and resolution�but what are they and what do they do? Pixels are the dots, or image points, that make up a picture. A megapixel is equal to one million pixels. The more megapixels your camera has, the larger your prints can be and still look good. And that leads us to resolution.
Resolution refers to the total number of pixels and affects the sharpness and definition of your image. High-resolution cameras have two or three megapixels or more and are perfect for making large prints. Low-resolution cameras have one megapixel and are better suited for emailing images or making prints smaller than 4x6 inches. Carefully consider the best print size for your needs and it'll help you solve the megapixel puzzle. The more megapixels in your image, the fewer you can store on your memory card�another one of those trade offs!
2. Lenses: Just focus on the kind of pictures you want to take.
Do you like to take close-up pictures with lots of great details and sharpness? Or do you want to be able to zoom in on the action even if you're far away? Your answers will help you choose a camera with the right lens system suited to your style.
Almost everyone needs a zoom lens. Zoom lenses come in two types, optical and digital. You want an optical zoom. Optical zoom allows you to follow your subject and adjust the lens forward and backward just like with a film camera. Digital zoom, on the other hand, simply enlarges or "blows up" the image and crops in on the part you see on the LCD monitor. This process reduces the quality of the image. Zoom in too close and your prints will lack clarity and sharpness.
If close-ups are your passion, you'll need a camera with a macro setting. Many digital cameras have a macro mode. This mode lets you get very close to objects and greatly enlarge the image, such as a petal on a flower or a ring on a finger. Whether you choose zoom or macro or both, be sure to experiment with your camera's lens system in the store.
3. Memory: Don't forget to buy enough.
Digital cameras don't use film. Instead, they use digital memory such as memory cards or small hard disks to store images. But, just like film, memory cards get full. When this happens, you need to free up space before you can take more pictures.
Digital cameras let you free up space by deleting them or downloading pictures from the camera onto your computer. This system works fine if you're always near a computer, but it's not always practical if you're traveling or carrying your camera with you for long periods of time. In these cases, you'll want a higher capacity memory card with lots of image storage capacity.
When choosing a digital camera, find out how many pictures can be stored on its card when images are taken at default resolution. The most popular cards on the market are very durable and come in a variety of sizes, from 4 megabytes to 1 gigabyte or higher. While higher capacity cards can be somewhat expensive, they'll give you the freedom to take as many pictures as you want.
4. Batteries: A powerful consideration.
Digital cameras go through batteries like kids eat candy. This is because the batteries have to power an image sensor, the LCD panel, and the microprocessor all at once. Add a flash and zoom to the mix and batteries become an important camera feature to consider in your decision-making process.
Batteries come in a variety shapes and sizes. Before buying a digital camera, find out what your options are. One option is alkaline batteries. While they're convenient and relatively cost-effective, they're usually not strong enough to power most cameras for more than a few dozen images. Disposable lithium batteries are a more powerful alternative, but this can be an expensive proposition if you're replacing them on a regular basis.
Another option is rechargeable batteries. In a single charge, rechargeable batteries will power a good camera long enough for you to take about 100 pictures. Many cameras come with chargers; if they do, this is an extra you should definitely consider for its convenience and cost-effectiveness. Whatever battery option you choose, understand that many things affect battery life, such as using the optical viewfinder instead of the LCD monitor to conserve power.
Battery life is worth researching and is often covered in camera reviews or the owner's manual. If you travel or plan on using your camera for long periods of time, consider buying and carrying additional batteries for it. This way you'll always be powered up to capture life's special moments.
5. Size: It should only matter to you
Everything is being made smaller these days�and that goes for digital cameras too. But is smaller better? Should you choose a larger camera over a compact model? The answer is: it depends.
Compact cameras are very popular, but the most important question to ask yourself is: how much camera do I want to carry? Obviously, smaller model weigh less and fit nicely into pockets and purses. But compact models may sacrifice some of the more advanced features you want to accommodate for their miniscule size. For instance, compact models hold smaller batteries that may not power a camera as long as larger batteries do. So if long battery life is on your priority list, a compact style may serve you better.
Full-size models offer the same trade-offs. While they hold larger batteries and are often packed with lots of advanced features, most will not fit in your pocket. A camera bag will do the job while protecting your camera and giving you the option of carrying accessories such as extra batteries or a flash.
So you've decided to buy a digital camera. That's great! But with the huge assortment of digital cameras to choose from, how do you know which one is right for you? Which features are most important? Where do you begin?
Digital Camera Usage
You've decided to invest in a digital camera. The great times are about to begin! But what should you look for in a camera so it does want you want it to do? Let us help. Our top five points to consider can help you determine your needs. Once you learn everything your camera can do, you'll never want to put it down again!
1. Megapixels and resolution: In clearer terms, what size pictures do you want to print?
There's lots of talk about megapixels and resolution�but what are they and what do they do? Pixels are the dots, or image points, that make up a picture. A megapixel is equal to one million pixels. The more megapixels your camera has, the larger your prints can be and still look good. And that leads us to resolution.
Resolution refers to the total number of pixels and affects the sharpness and definition of your image. High-resolution cameras have two or three megapixels or more and are perfect for making large prints. Low-resolution cameras have one megapixel and are better suited for emailing images or making prints smaller than 4x6 inches. Carefully consider the best print size for your needs and it'll help you solve the megapixel puzzle. The more megapixels in your image, the fewer you can store on your memory card�another one of those trade offs!
2. Lenses: Just focus on the kind of pictures you want to take.
Do you like to take close-up pictures with lots of great details and sharpness? Or do you want to be able to zoom in on the action even if you're far away? Your answers will help you choose a camera with the right lens system suited to your style.
Almost everyone needs a zoom lens. Zoom lenses come in two types, optical and digital. You want an optical zoom. Optical zoom allows you to follow your subject and adjust the lens forward and backward just like with a film camera. Digital zoom, on the other hand, simply enlarges or "blows up" the image and crops in on the part you see on the LCD monitor. This process reduces the quality of the image. Zoom in too close and your prints will lack clarity and sharpness.
If close-ups are your passion, you'll need a camera with a macro setting. Many digital cameras have a macro mode. This mode lets you get very close to objects and greatly enlarge the image, such as a petal on a flower or a ring on a finger. Whether you choose zoom or macro or both, be sure to experiment with your camera's lens system in the store.
3. Memory: Don't forget to buy enough.
Digital cameras don't use film. Instead, they use digital memory such as memory cards or small hard disks to store images. But, just like film, memory cards get full. When this happens, you need to free up space before you can take more pictures.
Digital cameras let you free up space by deleting them or downloading pictures from the camera onto your computer. This system works fine if you're always near a computer, but it's not always practical if you're traveling or carrying your camera with you for long periods of time. In these cases, you'll want a higher capacity memory card with lots of image storage capacity.
When choosing a digital camera, find out how many pictures can be stored on its card when images are taken at default resolution. The most popular cards on the market are very durable and come in a variety of sizes, from 4 megabytes to 1 gigabyte or higher. While higher capacity cards can be somewhat expensive, they'll give you the freedom to take as many pictures as you want.
4. Batteries: A powerful consideration.
Digital cameras go through batteries like kids eat candy. This is because the batteries have to power an image sensor, the LCD panel, and the microprocessor all at once. Add a flash and zoom to the mix and batteries become an important camera feature to consider in your decision-making process.
Batteries come in a variety shapes and sizes. Before buying a digital camera, find out what your options are. One option is alkaline batteries. While they're convenient and relatively cost-effective, they're usually not strong enough to power most cameras for more than a few dozen images. Disposable lithium batteries are a more powerful alternative, but this can be an expensive proposition if you're replacing them on a regular basis.
Another option is rechargeable batteries. In a single charge, rechargeable batteries will power a good camera long enough for you to take about 100 pictures. Many cameras come with chargers; if they do, this is an extra you should definitely consider for its convenience and cost-effectiveness. Whatever battery option you choose, understand that many things affect battery life, such as using the optical viewfinder instead of the LCD monitor to conserve power.
Battery life is worth researching and is often covered in camera reviews or the owner's manual. If you travel or plan on using your camera for long periods of time, consider buying and carrying additional batteries for it. This way you'll always be powered up to capture life's special moments.
5. Size: It should only matter to you
Everything is being made smaller these days�and that goes for digital cameras too. But is smaller better? Should you choose a larger camera over a compact model? The answer is: it depends.
Compact cameras are very popular, but the most important question to ask yourself is: how much camera do I want to carry? Obviously, smaller model weigh less and fit nicely into pockets and purses. But compact models may sacrifice some of the more advanced features you want to accommodate for their miniscule size. For instance, compact models hold smaller batteries that may not power a camera as long as larger batteries do. So if long battery life is on your priority list, a compact style may serve you better.
Full-size models offer the same trade-offs. While they hold larger batteries and are often packed with lots of advanced features, most will not fit in your pocket. A camera bag will do the job while protecting your camera and giving you the option of carrying accessories such as extra batteries or a flash.
Source: Pentax
Sunday, September 9, 2007
Canon PowerShot A570IS Digital Camera 7.1 MP with 4x Optical Image Stabilized Zoom
Canon PowerShot A570IS Digital Camera 7.1 MP
with 4x Optical Image Stabilized Zoom
with 4x Optical Image Stabilized Zoom
PowerShot A570IS Highlights
DIGIC III Image Processor
DIGIC III features Face Detection AF/AE, which finds multiple faces in the frame and sets the most suitable focus point, when the shutter button is pressed halfway. And an additional new feature, Face Detection FE adjusts the flash, based on a person�s face on the screen. Exposure and flash are controlled to ensure proper illumination of both the faces and the overall scene, eliminating the common problem of darkened or overexposed faces.
Red-eye Correction detects and automatically corrects red-eye during playback for both regular and flash photography. In unusual cases where red-eye is not automatically detected, it can easily be corrected manually during playback mode from the LCD screen.
iSAPS Technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the fast DIGIC III Image Processor to improve focus speed and accuracy, as well as exposure and white balance.
Clear, high-resolution 2.5-inch LCD for easy on-camera viewing
The camera�s 2.5-inch LCD screen gives you the big picture, whether you�re shooting, reviewing or showing off your images. This high-resolution screen offers a crisp, clear picture to make shooting, playback and using the camera�s menu functions especially convenient. Clear and bright, it also features Night Display for easy viewing in low light.
ISO 1600 and High ISO Auto
The PowerShot A570 IS features new ISO 1600 and High ISO Auto settings that reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater flexibility for shooting.
A variety of movie-making options
With a highly flexible movie mode, you can create the movie that�s perfect for any application. Select from VGA (640 x 480 pixels) and QVGA (320 x 240 pixels), with frame rates of 30 fps and 15 fps for recording up to 1 hour or 4GB. Also Fast Frame Rate (QVGA; 320 x 240 pixels) recording at 60 fps for up to 1 minute, and Compact Movie Mode (QQVGA; 160 x 120 pixels) recording at 15 fps for up to 3 minutes. The PowerShot A570 IS also supports the USB 2.0 Hi-Speed standard, so you�ll enjoy the fastest possible data transfer speeds when using a USB 2.0 Hi-Speed compatible computer.
Shooting Modes
Advanced presets for the best possible photos under certain conditions.
- Auto The camera chooses all the settings so you can concentrate on your subject.
- P Program Access advanced exposure compensation features while shooting mostly automatically.
- Av Aperture-priority You define the aperture to either isolate your subject or have clarity throughout the entire picture, and the camera will choose the corresponding shutter speed.
- Tv Shutter-priority You select the shutter speed to stop or blur action, and the camera finds the appropriate aperture. With slow exposure times, Canon�s noise reduction system activates to ensure low image noise.
- Manual The ultimate in creative control, you set ISO speed, exposure compensation and white balance.
- Portrait The camera sets a large aperture, focusing the subject and artistically blurring the background to make your subject "pop."
- Landscape For front to back sharpness, the camera sets a small aperture.
- Night Snapshot Get natural-looking pictures with brighter backgrounds and subjects lit by flash.
- Indoor Reduce blur and improve color accuracy when shooting handheld indoors.
- Kids & Pets Reduced focusing time freezes fast-moving subjects, so you won�t miss those special shots.
- Stitch Assist Build awe-inspiring panoramas by neatly aligning sequential images.
- Movie Shoot in VGA and QVGA (30 fps/15 fps for up to 1 hour or 4GB), Fast Frame Rate (60 fps for up to 1 minute) or QQVGA (15 fps for up to 3 minutes).
Special Scene Modes
- Night Scene For impressive sunset or nightlife shots, the camera properly exposes the background and uses slow-sync flash for the subject.
- Foliage Capture brilliant shots of autumn foliage, greenery and blossoms.
- Snow Shoot clear snow scenes without darkened subjects or an unnatural bluish tint.
- Beach Get clear shots of people at a sunny beach without darkened faces.
- Fireworks Grab brilliant images of skyrocketing fireworks.
- Aquarium Achieve proper flash-free exposure and natural hues at indoor aquariums.
- Underwater Capture underwater images with reduced backscatter effect.(Note: Optional Waterproof Case WP-DC12 required for shooting any underwater images)
Get new batteries anywhere
Power on the go with two AA-size batteries. You don�t need to worry about running out or recharging batteries. Since AA-size batteries can be purchased at any store, simply get new ones locally.
The complete print solution
Print/Share Button for easy direct printing and downloading, plus ID Photo Print and Movie Print with Canon CP and Selphy Compact Photo Printers. The PowerShot A570 IS's Print/Share button makes direct printing easier than ever. Simply connect the A570 IS to a Canon CP, Selphy or PIXMA Photo Printer or any PictBridge compatible photo printer, press the lighted Print/Share button and print! Also use the Print/Share button to transfer images to a computer (Windows and Macintosh).
Print your own ID photos in 28 different sizes or use the Movie Print function to output multiple stills from a recorded movie on a single sheet with a Canon Selphy Compact Photo Printer.
For desktop large-format printing, try one of the Direct Photo Printers that allow you to print without a computer in one of two ways: plug your compatible PowerShot camera into the Direct Photo Printer using the supplied USB interface cable, or simply insert a memory card into the supplied adapter. You can also connect the printer to your computer for more options. Print high-resolution, borderless images as postcards or 8.5 x 11-inch sheets within minutes.
Compact Photo Printers let you produce versatile, fun 4 x 6-inch postcards, 4 x 8-inch wide greeting cards or credit card size prints in just two easy steps: connect and press/print. Control the printer right from your camera's LCD screen. You get durable, dye-sublimated prints quickly with or without borders. Assortedpaper types let you create mini or credit card size labels. You can even take select Compact Photo Printers to a party or an outdoor picnic using an optional rechargeable battery.
Product Features
- 7.1-megapixel CCD captures enough detail for photo-quality 15 x 20-inch prints
- DIGIC III Image Processor with improved Face Detection technology and Red-eye Correction
- Clear, high-resolution 2.5-inch LCD for easy on-camera viewing
- ISO 1600 and High ISO Auto to reduce image blur and expand low-light shooting capability
- Print/Share Button for easy direct printing and downloading
- Technical Details
- Model Name: PowerShot A570 IS
- Model: A570IS
- Lens Type: Zoom lens
- Optical zoom: 4 x
- maximum_aperture_range: F/2.6-5.5
- Minimum focal length: 5.8 millimeters
- Maximum focal length: 23.2 millimeters
- Optical Sensor Resolution: 7.1 megapixels
- optical_sensor_technology: CCD
- optical_sensor_size: 1/2.5"
- Included Flash Type: Built-in flash
- Red-eye reduction: Y
- form_factor: Built-in
- Display: LCD display
- Display Technology: TFT active matrix
- Display Size: 2.5 inches
- light_sensitivity: ISO 100, ISO 800, ISO 400, ISO 200, ISO 80, ISO auto, ISO 1600
- video_input_format: AVI
- Image types: JPEG
- Shooting Modes: Frame movie mode
- video_input_special_effects: Black & White, Sepia, Neutral, Vivid, Custom Effect
- Exposure Control Type: Beach, Kids & pets, Snow, Portrait mode, Aquarium, Macro, Fireworks, Underwater, Indoor, Foliage
- Viewfinder Type: Optical
- Audio Input: Microphone
- Width: 3.5 inches
- Depth: 1.7 inches
- Height: 2.5 inches
- Weight: 0.4 pounds
Product Description
Life doesn't give you second chances to capture special times. That's why the elegant PowerShot A570 IS is equipped with Canon's acclaimed Image Stabilizer Technology that automatically detects and corrects camera shake - one of the leading causes of fuzzy or blurred shots. So now even when you're zooming in tight you can get the steady, crisp, brilliant images. With DIGIC III, you get images of superior quality, the camera functions at top efficiency and battery life is significantly enhanced. What's more, DIGIC III enables Canon's newly improved Face Detection Technology and Red-eye Correction to give you better, more true-to-life people shots. Beside stills there's highly flexible movie mode, you can create the movie that's perfect for any application. ISO Sensitivity - Auto, High ISO Auto, ISO 80, 100, 200, 400, 800 & 1600 equivalent (Standard Output Sensitivity. Recommended Exposure Index) White Balance Control - Auto, Preset (Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H, Underwater) and Custom Normal Flash Range - 1.5-11 ft./45cm-3.5m (W), 1.5-7.2 ft./45cm-2.2m (T) Macro Flash Range - 1.0-1.5 ft./30-45cm (W/T) (when sensitivity is set to ISO Auto) Shooting Modes - Auto, Creative P, Av, Tv, M, Image - Portrait, Landscape, Special Scene (Night Scene, Foliage, Snow, Beach, Fireworks, Aquarium, Underwater), Indoor, Kids & Pets, Night Snapshot, Stitch Assist and Movie Self-Timer - 2 & 10 seconds delay, Custom Continuous Shooting - 1.7 fps Still Image - Exif 2.2 (JPEG) Movie - AVI (Image Motion JPEG, Audio WAVE) Interface - USB 2.0 Hi-Speed (mini-B jack) Video Out - NTSC/PAL Dimensions - Width 3.52 x Height 2.53 x Depth 1.69 inch (89.5 x 64.3 x 42.8mm) Weight - 6.17 ounces / 175 grams (camera body only).
Friday, September 7, 2007
Digital Camera Nikon D300 SLR 12.3 megapixel DX-Format CMOS Sensor
Digital Camera Nikon D300 SLR 12.3 megapixel
DX-Format CMOS Sensor
DX-Format CMOS Sensor
A new 12.3-megapixel DX-Format CMOS Sensor combined with Nikon's exclusive digital image processing system advances DX-format image quality to all new levels. The 3.0-inch super density 920,000-dot VGA color monitor with 170-degree wide-angle viewing and tempered-glass protection makes critical image review possible.
Continuous shooting up to 6 frames per second, and up to 8 frames per second* with the new optional MB-D10 Multi-power Battery Pack, makes the D300 a powerful performer for a wide variety of shooting disciplines.
* When using the EH-5a AC Adaptor or the MB-10 Multi-Power Battery Pack with batteries other than Rechargeable Li-on En El3e.
Fast, accurate 51-point autofocus with 3D Focus Tracking and three Dynamic AF modes deliver exacting autofocus precision at blazing speeds.
Nikon's exclusive Scene Recognition System (SRS), with an improved 1,005-Pixel 3D Color Matrix Metering II, provides even more intelligent auto exposure capabilities, along with smarter auto white balance detection and faster, more accurate AF performance.
Dynamic Integrated Dust Reduction System with self-cleaning ultrasonic sensor unit minimizes degradation of image quality due to dust particles.
Two LiveView shooting modes, Hand-held or Tripod is perfect when shooting in a studio, remote situations or from challenging angles.
New Picture Control settings give photographers dramatically advanced color control with 4 preset options: Standard, Neutral, Vivid and Monochrome, as well as 9 customizable settings.
Rugged magnesium-alloy construction, advanced dust and moisture protection and a durable shutter mechanism tested to 150,000 cycles make the D300 a perfect choice for photographers who demand high performance and handling agility.
Tech Specs
- Type of Camera: Single-lens reflex digital camera
- Effective Pixels: 12.3 million
- Image Sensor: CMOS sensor, 23.6 x 15.8 mm; total pixels: 13.1 million; Nikon DX-format
- Image Size (pixels): 4,288 x 2,848 [L], 3,216 x 2,136 [M], 2,144 x 1,424 [S]
- Dust-reduction System: Self-cleaning Sensor Unit, image dust-off data acquisition (Capture NX required)
- Sensitivity: ISO 200 to 3200 in steps of 1/3, 1/2 or 1 EV with additional settings of approx. 0.3, 0.5, 0.7 and 1 EV (ISO 100 equivalent) under ISO 200 and approx. 0.3, 0.5, 0.7 and 1 EV (ISO 6400 equivalent) over ISO 3200
- File System: Compliant with DCF 2.0, DPOF and Exif 2.21
- Storage System: NEF 12-bit or 14-bit (uncompressed, lossless compressed or compressed RAW), TIFF (RGB), JPEG: JPEG baseline-compliant
- Storage Media: CompactFlash (CF) Card (Type I and II, UDMA compliant), MicroDrive
- Release Modes:
- 1) Single frame [S] mode
- 2) Continuous low speed [CL] mode: 1 to 7 frames per second (note 1)
- 3) Continuous high-speed [CH] mode: 8 frames per second (note 1) , 6 frames per second (note 2)
- 4) LiveView [LV] mode
- 5) Self-timer mode
- 6) Mirror-up [Mup] mode Note 1. When using EH-5a/EH-5 AC Adapter or MB-D10 Multi-Power Battery Pack with batteries other than EN-EL3e Rechargeable Li-ion Battery Note 2. When using EN-EL3e Rechargeable Li-ion Battery (When shooting in Continuous-servo AF (C), Shutter-Priority Auto [S] or Manual [M] exposure modes, at a shutter speed of 1/250 s or faster with other settings at default)
- White Balance: Auto (TTL white balance with 1,005-pixel RGB sensor), seven manual modes with fine-tuning, color temperature setting, white balance bracketing possible (2 to 9 frames in increments 1~3)
- LiveView: Hand-held shooting mode: TTL Phase-difference AF with 51 focus areas (15 cross-type sensors), Tripod shooting mode: focal-plane contrast AF on a desired point within a specific area
- LCD Monitor: 3-in., approx. 920,000-dot (VGA), 170-degree wide viewing angle, 100% frame coverage, low-temperature polysilicon TFT LCD with brightness adjustment
- Playback Function:
- 1) Full frame
- 2) Thumbnail (4 or 9 segments)
- 3) Zoom
- 4) Slideshow
- 5) RGB histogram indication
- 6) Shooting data
- 7) Highlight point display
- 8) Auto image rotation
- Delete Function: Card format, All photographs delete, Selected photographs delete
- Video Output: NTSC or PAL; simultaneous playback from both the video output and on the LCD monitor available
- HDMI Output: Supports HDMI version 1.3a; Type A connector is provided as HDMI output terminal; simultaneous playback from both the HDMI output terminal and on the LCD monitor not available
- Interface: Hi-Speed USB
- Text Input: Up to 36 characters of alphanumeric text input available with LCD monitor and multi-selector; stored in Exif header
- Lens Mount: Nikon F Mount with AF coupling and AF contacts
- Compatible Lenses:
- 1) DX AF NIKKOR: All functions possible
- 2) D-/G-type AF NIKKOR (excluding IX NIKKORlenses): All functions possible (excluding PC Micro- NIKKOR)
- 3) AF NIKKOR other than D-/G-type (excluding lenses for F3AF): All functions except 3D-Color Matrix Metering II possible
- 4) AI-P NIKKOR: All functions except Autofocus, 3D-Color Matrix Metering II possible
- 5) Non-CPU AI NIKKOR: can be used in exposure modes A and M; electronic range finder can be used if maximum aperture is 5.6 or faster; Color Matrix Metering and aperture value display supported if user provides
- Picture Angle: Equivalent in FX-format [135mm] is approx. 1.5 times lens focal length (DX format)
- Viewfinder: SLR-type with fixed eye-level pentaprism; built-in diopter adjustment (-2.0 to +1.0 m-1)
- Eyepoint: 19.5 mm (-1.0 m-1)
- Focusing Screen: Type-B BriteView Clear Matte screen Mark II with superimposed focus brackets and On-Demand grid lines
- Viewfinder Frame Coverage: Approx. 100% (vertical and horizontal)
- Viewfinder Magnification: Approx. 0.94x with 50mm lens at infinity; -1.0 m-1
- Autofocus: TTL phase detection, 51 focus points (15 cross-type sensors) by Nikon Multi-CAM 3500DX autofocus module; Detection -1 to +19 EV (ISO 100 at 20 degree C/68 degree F); AF fine adjustment possible. Focal-plane contrast [in LiveView (Tripod) mode]
- Lens Servo: Single-servo AF (S); continuous-servo AF (C); manual (M); predictive focus tracking automatically activated according to subject status in continuous-servo AF
- Focus Point: Single AF point can be selected from 51 or 11 focus points LiveView (Tripod mode): Contrast AF on a desired point within entire frame
- AF Area Mode:
- 1) Single point AF
- 2) Dynamic Area AF [9 points, 21 points, 51 points, 51 points (3D-tracking)]
- 3) Automatic-area AF
- Focus Lock: Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button
- Exposure Metering System: TTL full-aperture exposure metering using 1005-pixel RGB sensor
- 1) 3D Color Matrix Metering II (type G and D lenses); Color Matrix Metering II (other CPU lenses); Color Matrix Metering (non-CPU lenses if user provides lens data; metering performed)
- 2) Center-weighted: Weight of 75% given to 6, 8, 10, or 13 mm dia. circle in center of frame or weighting based on average of entire frame (8 mm circle when non-CPU lens is used)
- 3) Spot: Meters approx. 3 mm dia. circle (about 2.0% of frame) centered on selected focus point (on center focus point when non-CPU lens is used)
- Exposure Metering Range:
- 1) 0 to 20 EV (3D Color Matrix or center-weighted metering)
- 2) 2 to 20 EV (spot metering) (ISO 100, f/1.4 lens, 20ºC)
- Exposure Meter Coupling: Combined CPU and AI
- Exposure Modes:
- 1) Programmed Auto [P] with flexible program
- 2) Shutter-Priority Auto [S]
- 3) Aperture Priority Auto [A] 4) Manual [M]
- Exposure Compensation: Plus or minus 5 EV in increments of 1/3, 1/2 or 1 EV
- Auto Exposure Lock: Detected exposure value locked by pressing AE-L/AF-L button
- Auto Exposure Bracketing: Exposure and/or flash bracketing (2 to 9 exposures in increments of 1/3, 1/2, 2/3 or 1 EV)
- Picture Control System: Four setting options: Standard, Neutral, Vivid, Monochrome; each option can be adjusted
- Shutter: Electronically-controlled vertical-travel focal plane shutter, 1/8,000 to 30 s in steps of 1/3, 1/2 or 1 EV, Bulb
- Sync Contact: X=1/250 s; flash synchronization at up to 1/320 s (FP) adjustable with Built-in Speedlight or optional Speedlight (will reduce GN)
- Flash Control:
- 1) i-TTL: TTL flash control by 1,005-pixel RGB sensor, built-in flash, SB-800 or SB-600: i-TTL balanced fill-flash and standard i-TTL flash
- 2) AA (Auto Aperture-type) flash: Available with SB-800 used with CPU lens
- 3) Non-TTL Auto: Available with Speedlights such as SB-800, 28, 27, and 22S
- 4) Range-priority manual flash; available with SB-800
- Flash Sync Mode:
- 1) Front-curtain Sync (normal)
- 2) Red-eye Reduction
- 3) Red-eye Reduction with Slow Sync
- 4) Slow Sync
- 5) Rear-curtain Sync
- Built-in Speedlight: Manual pop-up with button release
- Guide number : (ISO 200, m): approx. 17 (manual 18)(ISO 100 equivalent, m): approx. 12 (manual 13)
- Flash Compensation: -3 to +1 EV in increments of 1/3, 1/2 or 1 EV
- Accessory Shoe: ISO 518 Standard hot-shoe contact with safety lock provided
- Sync Terminal: ISO 519 standard terminal
- Creative Lighting System: With Speedlights such as SB-800, SB-600, SB-R200, supports Advanced Wireless Lighting, Auto FP High-Speed Sync, Flash Color Information Communication, modeling flash and FV lock
- Self-timer: 2 to 20 seconds duration
- Depth of Field Preview: When CPU lens is attached, lens aperture can be stopped down to value selected by user (A and M mode) or value selected by camera (P and S mode)
- Remote Control: Via 10-pin terminal or WT-4A Wireless Transmitter (optional)
- GPS: NMEA 0183 (Ver. 2.01 and 3.01) interface standard supported with 9-pin D-sub cable (optional) and MC-35 GPS Cable (optional)
- Supported Languages: Chinese (Simplified and Traditional), Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Polish, Portuguese, Russian, Spanish, Swedish
- Power Source: One EN-EL3e Rechargeable Li-ion Battery, MB-D10 Multi-Power Battery Pack (optional) with one EN-EL4a, EN-EL4 or EN-EL3e Rechargeable Li-ion Battery or eight R6/AA-size alkaline (LR6), Ni-MH (HR6), lithium (FR6) batteries, or nickel-manganese ZR6 batteries, EH-5a AC Adapter (optional)
- Tripod Socket: 1/4 in. (ISO 1222)
- Custom Settings: 48 settings available
- Operating Environment: Termperature 0-40 degrees C/32-104 degrees F: under 85 percent (no condensation)
- Dimensions (W x H x D): Approx. 5.8 x 4.5 x 2.9 in. (147 x 114 x 74 mm)
- Weight: Approx. 1.82 lbs. (825 g) without battery, memory card, body cap, or monitor cover
- Supplied Accessories*: EN-EL3e Rechargeable Li-ion Battery, MH-18a Quick Charger, UC-E4 USB Cable, EG-D100 Video Cable, AN-D300 Strap, BM-8 LCD monitor cover, Body cap, DK-5 Eyepiece Cap, DK-23 Rubber Eyecup, Software Suite CD-ROM
- *Supplied accessories may differ depending on country or area
- Optional Accessories: MB-D10 Multi-Power Battery Pack, WT-4a Wireless Transmitter, DK-21M Magnifying Eyepiece, EH-5a AC Adapter, Capture NX Software, Camera Control Pro 2
Wednesday, September 5, 2007
Nikon DXM-1200C 12.6 megapixel High-Definition Cooled Color Photomicrographic Digital Camera
Nikon DXM-1200C 12.6 megapixel High-Definition
Cooled Color Photomicrographic Digital Camera
Cooled Color Photomicrographic Digital Camera
High resolution, 12.6 megapixel digital photomicrographic camera captures the sharpest images flawlessly.The Digital Eclipse DXM1200C is an ultra high-quality digital camera for advanced imaging. It features a new Peltier cooling mechanism to significantly reduce heat induced noise, improved image resolution, and new software to enhance camera control, digital viewing, color rendition, and capture of images in a variety of applications. This model continues the DXM tradition of capturing images with user selectable high pixel count image files for documentation and high resolution image printing capabilities. The DXM1200C can capture image files with up to 12.6 million pixels, using Nikon's exclusive pixel stepping technology, making it an ideal choice for applications requiring the highest spatial resolution possible.
Cooling Mechanism Cuts Noise
The Peltier device cooling mechanism maintains temperature of the CCD at approximately 20�C below the pre-cooled temperature. As a result, heat-induced noise � which would otherwise occur during long exposures is significantly reduced, so even weak fluorescence and darkfield images are captured clearly.
Crisp Images with 12.6-megapixel Output
Nikon�s original pixel stepping technology has realized a super high resolution of 12.6-mega output pixels (4116 x 3072 pixels) that is 1.07 times greater than our previous models. The resulting images are exceptionally sharp, and the high-definition image files created can be printed in large format � a valuable requirement for today�s demanding research digital imaging systems.
Superb Sensitivity Suited for Dark Specimen Capture
Nikon�s high S/N digital circuit technology enables a greater range of image sensitivity, performance and image capture. Thanks to its wide exposure latitude and improved dynamic range, a wide range of light intensities can be observed and digitally stored.
Smooth Live Image Display
Images are transferred to the PC monitor at a rapid 15 fps max. speed for smooth, natural display of live image observations. Along with auto-exposure determination, this makes it easy to adjust focus, observe and shoot while reducing the chance of photobleaching due to the reduction in the overall imaging workflow process.
Upgraded Overlay (Merge)
The DXM1200C�s Overlay (Merge) feature has greater capabilities than ever before. Stack RGB separates the RGB components from the original image and layers them. Merge Channel takes the RGB set components from the original image, allocates the designated colors, then overlays. The different colors can be added or deleted independently. Merge Channel colors can be easily selected from the control software.
High Speed Data Transfer
Live image displays at high speed data transfers of 12 frames per second for precise viewing and focusing surpasses previous imaging standards.
ACT-1C Software Included
Intuitive ACT-1C software operational capabilities simplify imaging enhancements and corrections with the click of the mouse. Live field of view frames available to capture the precise on-screen image at up to 14 different file modes and image sizes. ACT-1C offers the flexibility of auto exposure or manual exposure preferences. File merging capabilities for multi-channel imaging applications is also available.
Compatible With NIS-Elements Imaging Software
The DXM-1200C is compatible with NIS-Elements, Nikon's advanced imaging software suite. NIS-Elements delivers an intuitive interface to simplify workflow, and features fast image acquisition speeds via direct streaming to RAM to record rapid biological events. The software supports numerous image processing capabilities including binary and morphological tools for measurement and analysis routines.
Direct PC-to-Camera Connection
The DXM1200C camera head connects to the PC via a single cable to the PCI interface board installed into the computer without additional wiring or power source.
Wide-field Relay Lens Offers Wider Selection of Magnifications
Nikon has developed a new wide-field relay lens exclusively for the DXM1200C. Nikon recommends the C-Mount 0.7x DXM Relay Lens, designed to provide less shading and more flatness in the images [optional].
Sunday, September 2, 2007
Nikon D3 Digital SLR Camera
Nikon D3 Digital SLR Camera
Nikon D3 - Professional digital imaging... without compromise. Nikon's 12.1-megapixel FX format (23.9 x 36mm), continuous firing at up to 9 fps at full FX resolution and extreme low-noise performance at ISO 6400, delivers unparalleled pro versatility.
Key FeaturesA Nikon-original 12.1-megapixel FX-format (23.9 x 36mm) CMOS sensor, in concert with Nikon's exclusive digital image processing system, delivers breathtakingly rich image quality, while also reducing noise to unprecedented levels with even higher ISOs.
Continuous shooting at up to 9 frames per second at full FX resolution and up to 11fps inthe DX Crop mode, offers uncompromised shooting speeds for fast-action and sports photography.
Extreme Low-noise ISO range with Advanced Noise Reduction enables photographers to confidently select from 200-6400 ISO with an expanded range that includes Lo-1 (100 ISO)Hi-1 (12,800 ISO) and Hi-2 (25,600 ISO).
The 3.0-inch super density 920,000-dot VGA color monitor with 170-degree wide-angle viewing and tempered-glass protection makes it possible for even more critical image review.
Fast, accurate 51-point autofocus with 3D Focus Tracking and three Dynamic AF modes deliver exacting autofocus precision at blazing speeds.
Two LiveView shooting modes, Hand-held or Tripod, are perfect when shooting in a studio, remote situations or from challenging angles.
Nikon's exclusive Scene Recognition System (SRS), with an improved 1,005-Pixel 3DColor Matrix Metering II, provides even more intelligent auto exposure capabilities, along with smarter auto white balance detection and faster, more accurate AF performance.
Nikon's Self-diagnostic shutter system, tested to 300,000 cycles, is a clear indication of advanced engineering and durable construction.
New Picture Control settings give photographers dramatically advanced color control with 4 preset options: Standard, Neutral, Vivid and Monochrome, as well as 9 customizable settings.
Tech Specs
- Type of Camera: Single-lens reflex digital camera
- Effective Pixels: 12.1 million
- Image Size (pixels): FX format (36 x 24): 4,256 x 2,832 (L), 3,184 x 2,120 (M), 2,128 x 1,416 (S)
- 5:4 (30 x 24): 3,552 x 2,832 (L), 2,656 x 2,120 (M), 1,776 x 1,416 (S)
- DX format (24 x 16): 2,784 x 1,848 (L), 2,080 x 1,384 (M), 1,392 x 920 (S)
- Image Sensor: CMOS sensor, 23.9 x 36.0 mm; total pixels: 12.87 million; Nikon FX format
- Sensitivity: ISO 200 to 6,400 in steps of 1/3, 1/2, or 1 EV; sensitivity decreases approx. 0.3, 0.5, 0.7, or 1 (ISO 100 equivalent) EV below ISO 200, and increases approx. 0.3, 0.5, 0.7, 1 (ISO 12,800 equivalent), or 2 (ISO 25,600 equivalent) EV over ISO 6,400
- File System: Compliant with DCF 2.0, DPOF and Exif 2.21
- Storage System: Compressed 12/14-bit NEF (RAW, Lossless compressed): approx. 60-80 percent Compressed 12/14-bit NEF (RAW, Compressed): approx. 45-60 percent JPEG: JPEG-baseline-compliant; can be selected from Size priority and Optimal quality
- Storage Media: CompactFlash(TM) (Type I/II, compliant with UDMA); Microdrives
- Release Modes:
- 1) Single-frame [S] mode
- 2) Continuous low-speed [CL] mode: 1-9 frames per second*
- 3) Continuous high-speed [CH] mode: 9 fps (9-11 fps with DX format)*
- 4) LiveView [LV] mode
- 5) Self-timer mode
- 6) Mirror-up [Mup] mode
- *With Continuous-servo AF, S or M exposure mode, shutter speed 1/250 s or faster; other settings are set at Default
- White Balance: Auto (TTL white balance with main image sensor and 1,005-pixel RGB sensor); Seven manual modes can be preset with fine-tuning; color temperature setting; white balance bracketing: 2 to 9 exposures in increments of 1, 2 or 3
- LiveView: Handheld mode: TLL phase-difference AF with 51 focus areas (15 cross-type sensors) Tripod mode: focal-plane contrast AF on a desired point within a specific area
- LCD Monitor: 3 in., approx. 920,000-dot (VGA), 170-degree wide-viewing angle, 100 percent TFT LCD with brightness adjustment
- Playback Function :
- 1) Full frame,
- 2) Thumbnail (4 or 9 segments)
- 3) Zoom
- 4) Slideshow
- 5) Histogram indication
- 6) Shooting data
- 7) Highlight point display
- 8) Auto image rotation
- Video Output : NTSC or PAL; simultaneous playback from both the video output and on the LCD monitor available
- HDMI Output: Supports HDMI version 1.3a; Type A connector is provided as HDMI output terminal; simultaneous playback from both the HDMI output terminal and on the LCD monitor not available
- Interface: Hi-speed USB
- Lens Mount: Nikon F mount with AF coupling and AF contacts
- Compatible Lenses*1:
- 1) Type G or D AF Nikkor: All functions supported
- 2) DX AF Nikkor: All functions supported except FX-format (36x24)/5:4 (30x24) image size
- 3) AF Nikkor other than type G or D*2: All functions supported except 3D Color Matrix Metering II
- 4) AI-P Nikkor: All functions supported except autofocus and 3D Color Matrix Metering II
- 5) Non-CPU AI Nikkor: Can be used in exposure modes A and M; electronic rangefinder can be used if maximum aperture is f/5.6 or faster; Color Matrix Metering and aperture value display supported if user provides lens data
- *1. IX Nikkor lenses cannot be used
- *2. Excluding lenses for F3AF.
- Picture Angle: Equivalent to angle produced by lens focal length (1.5 times when DX format is selected)
- Viewfinder: SLR-type with fixed eye-level pentaprism; built-in diopter adjustment
- (-3 to +1 m-1)
- Eyepoint: 18 mm (-1.0 m-1)
- Focusing Screen: Type B BriteView Clear Matte VI screen
- Viewfinder Frame Coverage: Approx. 100 percent (vertical/horizontal)
- Viewfinder Magnification: Approx. 0.7x (50mm f/1.4 lens at infinity; -1.0 m-1) Reflex Mirror Quick-return type
- Lens Aperture: Instant-return type, with depth-of-field preview button
- Autofocus: Autofocus TTL phase detection, 51 focus points (15 cross-type sensors) by Nikon Multi-CAM 3500FX autofocus module; Detection: -1 to +19 EV (ISO 100 at 20 degree C/68 degree F); AF fine adjustment possible. Focal-plane contrast [in LiveView (Tripod) mode]
- Lens Servo:
- 1) Autofocus: Single-servo AF (S); continuous-servo AF (C); focus tracking automatically activated according to subject status,
- 2) Manual focus (M) with electronic rangefinder
- Focus Point: Single AF point can be selected from 51 or 11 focus points
- AF-Area Mode:
- 1) Single-point AF
- 2) Dynamic AF [number of AF areas: 9, 21, 51, 51 (3D-tracking)]
- 3) Automatic-area AF
- Focus Lock: Focus can be locked by pressing AE-L/AF-L button or by pressing shutter-release button halfway (single-point AF in AF-S)
- Exposure Metering System : TTL full-aperture exposure metering using 1,005-pixel RGB sensor
- 1) 3D Color Matrix Metering II (type G and D lenses); Color Matrix Metering II (other CPU lenses); Color Matrix Metering (non-CPU lenses if user provides lens data)
- 2) Center-weighted: Weight of 75 percent given to 8-, 15- or 20-mm circle in center of frame, or weighting based on average of entire frame
- 3) Spot: Meters 4-mm circle (about 1.5 percent of frame) centered on selected focus area (on center focus area when non-CPU lens is used)
- Metering Range:
- 1) 0 to 20 EV (Matrix or center-weighted metering)
- 2) 2 to 20 EV (Spot metering) (ISO 100 equivalent, f/1.4 lens, at 20 degrees C/68 degrees F)
- Exposure Meter Coupling: Combined CPU and AI
- Exposure Modes: 1) Programmed Auto (P) with flexible program, 2) Shutter-Priority Auto (S), 3) Aperture-Priority Auto (A), 4) Manual (M)
- Exposure Compensation: plus or minus 5 EV in increments of 1/3, 1/2 or 1 EV
- Exposure Lock: Exposure locked at detected value with AE-L/AF-L button
- Exposure Bracketing: Exposure and/or flash bracketing (2 to 9 exposures in increments of 1/3, 1/2, 2/3 or 1 EV)
- Picture Control System: Four setting options: Standard, Neutral, Vivid, Monochrome; each option can be adjusted
- Shutter: Electronically controlled vertical-travel focal-plane shutter; 1/8,000 to 30 s in steps of 1/3, 1/2 or 1 EV; Bulb
- Sync Contact: X=1/250 s; flash synchronization at up to 1/250 s
- Flash Control:
- 1) TTL flash control with 1,005-pixel RGB sensor; i-TTL balanced fill-flash and standard i-TTL fill-flash available with SB-800, 600 or 400
- 2) Auto aperture (AA): Available with SB-800 and CPU lens
- 3) Non-TTL auto (A): Available with SB-800, 28, 27 or 22s
- 4) Range-priority manual (GN): Available with SB-800
- Flash Sync Modes: 1) Front-curtain sync (normal), 2) Slow sync, 3) Rear-curtain sync, 4) Red-eye reduction, 5) Redeye reduction with slow sync
- Sync Terminal: ISO 519 standard terminal
- Accessory Shoe: Standard ISO 518 hot-shoe contact with safety lock
- Creative Lighting System: With Speedlights such as SB-800, SB-600, SB-R200, supports Advanced Wireless Lighting, Auto FP High-Speed Sync, Flash Color Information Communication, modeling flash and FV lock
- Self-timer: Electronically controlled timer with duration of 2, 3, 10 or 20 sec.
- 10-pin Terminal: 1) GPS: NMEA 0183 (Ver. 2.01 and 3.01) interface standard supported with 9-pin D-sub cable and MC-35 GPS Cable (optional)
- 2) Remote control: via 10-pin terminal
- Depth-of-field: When CPU lens is attached, lens aperture can be stopped down to value selected by user (A and M modes) or value selected by camera (P and S modes)
- Supported Languages: Chinese (Simplified and Traditional), Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Polish, Portuguese, Russian, Spanish, Swedish
- Power Source: One EN-EL4a/EL4 Rechargeable Li-ion Battery, MH-22 Quick Charger, EH-6 AC Adapter (optional)
- Tripod Socket: 1/4 in. (ISO 1222)
- Dimensions (W x H x D): 6.3 x 6.2 x 3.4 in. Approx. (159.5 x 157 x 87.5 mm)
- Weight: Approx. 2.7 lb. (1,240 g) without battery, memory card, body cap or accessory shoe cover
- Supplied Accessories*: EN-EL4a Rechargeable Li-ion Battery, MH-22 Quick Charger, UC-E4 USB Cable, EG-D2 Audio Video Cable, AN-D3 Camera Strap, BF-1A Body Cap, BS-2 Accessory Shoe Cap, DK-17 Eyepiece, BL-4 Battery Chamber Cover, USB Cable Clip, Software Suite CD-ROM *Supplied accessories may differ depending on country or area
- Optional Accessories: WT-4a Wireless Transmitter, DK-17M Magnifying Eyepiece, EH-6 AC Adapter, Capture NX Software, Camera Control Pro 2 Software, Image Authentication Software
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