When you build the follow-up to a hot camera, how do you turn up the heat? When Nikon shipped the D200 a couple of years ago, its combination of speed and photo quality blew away the limited competition, and provided a powerful, relatively inexpensive alternative to Nikon's then top-of-the-line D2X. The D300 faces a far more crowded field. Not only does it take on its venerable and now lower-priced predecessor, but also a cluster of far-from-shabby dSLRs just at or below its price: the Canon EOS 40D, the Sony Alpha DSLR-A700, the Olympus E-3, and the Pentax K20D.
Nikon's offering a body-only box of the D300 as well as two kits: one with a DX 18mm-135mm f/3.5-5.6G ED AF lens (27mm-202.5mm equivalent with the camera's 1.5x crop factor) and one with a DX 18-200mm f/3.5-5.6G ED VR lens (27mm-300mm equivalent). I tested the latter kit, and also used the camera with two non-DX lenses: a preproduction version of the 14-24mm 2.8G ED and the 24-70mm f/2.8G ED IF.
For the most part, Nikon sticks with the tried-and-true body design and interface of the D200, with its intelligently laid out controls. The dust- and weatherproof body weighs a hair over 2 pounds, and feels as solid as a little tank. The viewfinder is bigger and brighter, with 100 percent coverage. There are a few behaviors I'm not fond of, like the hard to manipulate metering dial (discussed in my more-detailed analysis of the design) and occasionally problematic AF-mode navigation (discussed below), but find the camera's operation comfortable and fluid. Nikon carries over the ultraflexible user-settings menus, which consists of two banks--shooting settings and custom settings--with four nameable slots each.
Lori Grunin
more : cnet
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