TAKE A MID-TONE WITH YOUPack a grey card in your camera bag � or buy a mid-toned camera bag which you can meter off.
LOOK AT THE HISTOGRAM
Don�t rely on a simple playback image to judge exposure � let the camera show you precisely�
WATCH THE BACKGROUND
Be aware of how the tone of a background can infl uence your camera�s meter.
BE AWARE OF HIGHLIGHTS
When exposing for dark subjects, look for any bright areas that might be blown out as a result.
SWITCH TO SPOT METERING
For tricky lighting and small areas, there�s no substitute for spot metering if you�re not in a rush.
RESTORE THE WHITENESS
If your subject�s large in the frame and bright white, spot meter off them and add 2 EV to 2.5 EV.
METER FOR HIGHLIGHTS
As a general rule, it�s best to meter for the highlights and let the shadows fall where they will.
CARRY A SET OF FILTERS
Always pack a graduated neutral density fi lter and polariser � they�re not just useful for �pure� landscapes�
DIAL DOWN YOUR FILL FLASH
With digital cameras so good at picking up shadow detail, you�ll be surprised how little fill fl ash you need.
GET CREATIVE
Don�t always chase the �perfect� exposure. Experiment with going to extremes.
Reference: Digital Camera Magazine
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