Hamada's winning design is "a large, ziggurat-like structure on the former site of Edo Castle in what is now central Tokyo." The image above shows how the pavilion is a re-interpretation of the Castle, lost almost 350 years ago.
A hundred scattered, angular openings in the thick walls -- intended to be constructed of packed soil -- allow for tranquil respite within the surrounding park.
The huge open air "room" is reminiscent of Shoei Yoh's Toyama Tower, an observation platform open to the elements, and Aldo Rossi's cemetery in Modena.
I find the monumentality of the proposal refreshing in today's architectural climate with a preference for the slick and glassy. The Monadnock-esque section shows the load-bearing nature of these four walls, tapering towards the top to reduce weight while also giving the exterior its distinctive slant.
According to the program brief, the "location of the pavilion-observatory can be chosen, documented and justified by the participant." In this case, the location and concept of "rebuilding" Edo Castle is perhaps the project's strongest element. The final design is impressive, though it success in "[providing] an architectural structure to develop NEW FORMS of dialogue between humans and non-humans pertinent with culture and contemporary values" is not clear, though Abalos asked for a lot in a short amount of time.
See the WashU article for more images on the winning design and information on the jury and the runners-up.
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