Vorubergehende Unsterblichkeit
From Fred Camper's synopsis:
Though Gerhard Mantz's ten computer-generated landscapes at Oskar Friedl have the texture of digital creations, their designs are atypically and admirably sparse. Taking 19th-century landscape painting as his primary model, Mantz produces works that suggest the changed nature of Romantic aspirations in the digital age: Caspar David Friedrich's landscape paintings imbue his locales with magic; Mantz's repetitive surfaces are just as mysteriously subjective. The strangely melancholy beauty of these places can't be traversed--we're hopelessly distanced from nature.
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